Orca Conservancy Calls For Legislative Action

Orca Conservancy Calls For Legislative Action

Seattle WA.  Orca Conservancy is calling for legislative action in the wake of an incident in mid-July in which thirty boaters surrounded and harassed a pod of orcas in the Tacoma Narrows. “This level of this harassment is unacceptable and is why Orca Conservancy believes more actions need to be taken around vessel enforcement/regulations, and most importantly, education,” explained Orca Conservancy leaders. They’re urging the that when people are registering their boats they’re given more information on the marine life and what the be-whale-wise guidelines. Orca Conservancy urges its supporters, “reach out to your local representatives to demand more funding be put into place —  not only to educate new boaters but to give our enforcement agencies additional manpower on the water.”

The National Oceanic and Atmospheric Administration’s Be Whale Wise webpage advises boaters and paddlers on marine laws and best practices for protecting marine wildlife.  According to be-whale-wise guidelines, and Washington state law, boats must stay 300 yards from orcas on either side and 400 yards in front of and behind the whales.  Boaters involved in last week’s incident were well within 300 meters of the pod.

Both Canada and the United States have Southern Resident orcas listed as endangered. As of June 2020, only 73 orcas remain.  According to Orca Conservancy, the most critical threats facing the Southern Resident orcas of Pudget Sound are lack of food, toxins, and vessel noise, which hinders the orcas’ ability to use echolocation to forage for food. 

Transient whale approaches vessel. All images via Tamara Kelley, Orca Conservancy Board Director

Tarantino also notes that the closure of whale-watching companies due to COVID-19 may contribute to increased pressure to view killer whales.  According to Orca Conservancy, “the PWWA (Pacific Whale Watching Association) has been a leader in educating boaters and warning recreational vessels when to slow down for years. The PWWA is having a net positive effect when it comes to noise reduction, and are why go-slow zones are best when implemented properly.”

According to the PWWA’s webpage, the association’s local whale and wildlife viewing guidelines have become a model for international efforts to recover the orca whale population.  “We’ve created no-boat foraging zones, minimized underwater noise with speed limits and sonar restrictions, and created clear corridors for Southern Resident orcas to travel,” says the PWWA.

 

From Orca Conservancy:

Orca Conservancy is committed to the recovery of the Southern Resident killer whale population and protecting the wild places on which it depends.  Since 1996, we have worked tirelessly to recover the Southern Resident killer whale population throughout their habitat range using Science, Law, and Education.

 

 

 

Seattle Art Museum Creates Innovative Ways to Showcase New Exhibits

Seattle Art Museum Creates Innovative Ways to Showcase New Exhibits

Seattle, Wa. Like many other businesses being affected by COVID-19 the Seattle Art Museum (SAM) has had to make adjustments when it comes to showcasing exhibits to the public. For the past two months, the Seattle Art Museum has implemented a new way to experience its various art pieces and themes. “Stay Home With SAM” a new addition to its website which is explained as a chance to  “share art activities for all ages, videos, interviews, art news, and more to keep you connected to art.” This page allows the public to learn about new exhibits coming soon as well as behind the scene interviews with the artists.

Preview for Barbara Earl Thomas and her new exhibition opening in November.

This new collection according to Barbara Earl Thomas is “a new body of work admits the turmoil and crises of the past year.” Thomas also goes on to say, “it is the chaos of living and the grief of our time that compels me, philosophically, emotionally and artistically. I am a witness and a chronicler.” This upcoming event will be displayed in November.

Artist in Residence Kimberly Deriana’s Project: Photo by Jen Au.

Seattle Art Museum Mission Statement:

Interviews and behind the scene videos are only a portion of what SAMBlogs has to offer. The Seattle Art Museum has online video tours as well as interactive guides to help create your own art. This is all to “connect art to life while we are closed”. If you would like to donate this link will bring you to the SAM fund. A place to donate and be apart of the SAM community.

SAM has been the center for world-class visual arts in the Pacific Northwest since 1933. Visit SAM to see a museum carved into the city, as much a part of Seattle’s landscape and personality as the coffee, rain, mountains, Pike Place Market, and the Space Needle.

Seattle Art Museum Location Contact Information:1300 FIRST AVE, SEATTLE, WA 98101

Contact Information: 206.654.3100 & TTY 206.654.3137

 

American Cancer Association Offers COVID-19 Guidlines for Cancer Patients

American Cancer Association Offers COVID-19 Guidlines for Cancer Patients

Seattle, WA. On the website, for the American Cancer Association, new guidelines include ideas on how to stay safe during the COVID-19 pandemic. The global pandemic of the coronavirus disease, called COVID-19, continues to have a serious impact on many people, including cancer patients, their families, and caregivers. State and local authorities, as well as health officials, continue to adjust their recommendations as the number of COVID-19 cases changes in different parts of the country.

Some cancer patients might be at increased risk of serious illness from an infection because their immune systems can be weakened by cancer and its treatments. Most people who were treated for cancer in the past (especially if it was years ago) are likely to have normal immune function, but each person is different. It’s important that all cancer patients and survivors, whether currently in treatment or not, talk with a doctor who understands their situation and medical history.

It’s also important that both patients and their caregivers take precautions to lower their risk of getting COVID-19. The US Centers for Disease Control and Prevention (CDC) has specific recommendations for people at risk for serious illness from COVID-19 infection.

While the situation continues to change, knowing some basic facts about what you can do to help protect yourself and others from getting sick can be very empowering.

How can I protect myself and others from getting COVID-19?

According to the CDC, there are things all of us can do to help lower the risk of being infected (and infecting others):

  • Wash your hands often with soap and water for at least 20 seconds because it’s one of the best ways to kill germs on your hands and prevent the spread of germs to others. If soap and water are not readily available, use an alcohol-based hand sanitizer with at least 60% alcohol.
  • Avoid touching your eyes, nose, and mouth with unwashed hands, because if you picked up the virus, you could infect yourself by allowing the virus to enter your body.
  • Avoid close contact – being within 6 feet (about 2 arms’ length) of people who don’t live in your household, and any people who are sick.
  • Cover your mouth and nose with a cloth face cover when around others. (See below for more details.)
  • Cover your cough or sneeze with a tissue, then throw the tissue in the trash, or cough or sneeze into your elbow. Then wash your hands right away.
  • Stay home (except to get medical care) if you are sick.
  • Clean and disinfect frequently touched surfaces daily using a regular household cleaning spray or wipe. Always read the directions of the products closely to make sure you are using them correctly. Cleaning and disinfecting products should not be used directly on skin, taken by mouth, or inhaled into the lungs, and bleach should not be used on food.
  • Because travel increases your chances of getting infected and spreading COVID-19, staying home is the best way to protect yourself and others from getting sick. If you were planning on going outside the US, the CDC recommends that travelers avoid all non-essential international travel.

If you are a cancer patient, survivor, or caregiver, talk to your cancer care team about whether there are any additional precautions you should take.

People are encouraged to take advantage of telehealth services, if they are available, and “see” their doctors without going in person for an office visit. Medicare has temporarily expanded its coverage of telehealth services. Some health insurance providers are doing the same.

People with cancer who are getting infusions at the clinic or hospital should talk to their doctor about alternate treatments that might be available, like oral medicines or infusions at home.

It’s important to keep in mind that some people who are infected with the virus might not have symptoms, but they could still spread the virus to others. Because of this, it’s important that everyone follow the CDC’s recommendations on how to protect yourself and others.

Should I wear a face mask?

The CDC recommends that you wear a cloth face cover (something that covers your nose, mouth, and much of your face) or a face mask if you go out in public, especially in places where you might be close to other people.

The face cover is meant to help protect other people because you could spread the virus if you are infected and don’t have symptoms. At the same time, when someone else wears a face cover, it can protect you, too. Together, this can help slow the spread of COVID-19.

Many other authorities and businesses are also recommending face covers, and some are now requiring them.

It’s important to understand that wearing a face cover or mask is not a substitute for social distancing. It’s still very important to stay at least 6 feet away from others, even while wearing a face cover or mask, and to continue to wash your hands frequently.

If you want to make a cloth cover or mask at home and aren’t sure how the CDC has instructions on how to make basic sewing and non-sewing versions. Friends and family might also be able to help you find or make masks.

Remember to wash your hands before putting on your face cover, to not touch your face while wearing the cover, and to wash your hands right after taking it off.

The CDC does not recommend that people in the general public wear surgical or N95 masks. These are in short supply in many areas and should be saved for healthcare workers who need them when caring for people who are sick. It is also best to check with your local authorities to see if your area has specific guidelines about wearing a face-covering in public.Are there different recommendations for cancer patients and caregivers?

The CDC does not have specific recommendations on masks for people who have or have had cancer and their caregivers. But for many people being treated for cancer, especially with treatments like chemotherapy or stem cell (bone marrow) transplants that can weaken the immune system, doctors often recommend patients wear a mask to help lower exposure to germs that might cause infections. If you’re not sure if you or your caregiver should be wearing a mask, contact your doctor or another member of your cancer care team.

What are the symptoms of COVID-19?

The most common symptoms of COVID-19, which may appear 2-14 days after being infected, are:

  • Fever
  • Cough
  • Shortness of breath
  • Chills
  • Muscle aches and pains
  • Sore throat
  • New loss of smell or taste
  • Feeling very tired
  • Headache
  • Diarrhea
  • Nausea or vomiting
  • Runny nose

Contact your doctor or local health department if you have any of these symptoms.

If you or the person you’re caring for has any of the following serious signs and symptoms of COVID-19, get medical attention right away:

  • Trouble breathing
  • Constant pain or heaviness in the chest
  • New confusion or being hard to wake up
  • Bluish lips or face

Some people with COVID-19 might have signs or symptoms of blood clots such as bluish toes (also referred to as “COVID toes”), swelling of the lower leg, chest pain, shortness of breath, or stroke symptoms (slurred speech, weakness or numbness of an arm or leg). The reasons for this are being still studied, but it’s important to tell your doctor right away if you are having any of these symptoms.

Children, in particular, might have fewer symptoms from COVID-19. However, there have been recent reports of children with symptoms such as a fever and rash similar to Kawasaki disease, as well as severe body inflammation, which might be related to the coronavirus. The CDC is keeping track of this syndrome, called multisystem inflammatory syndrome in children (MIS-C), to learn more about it and its relationship to the coronavirus infection.

It’s important to know that some people who are infected with the virus might not have symptoms, but they could still spread the virus to others. Because of this, it’s important that everyone follow the CDC’s recommendations on how to protect yourself and others.

From American Cancer Society:

The American Cancer Society was founded in 1913 by 10 doctors and 5 laypeople in New York City. It was called the American Society for the Control of Cancer (ASCC). At that time, a cancer diagnosis meant near-certain death. Rarely mentioned in public, this disease was steeped in fear and denial. Doctors sometimes did not tell their patients they had cancer, and patients often did not tell their friends and families that they had been diagnosed with it.

The Society’s founders knew they had to raise public awareness about cancer if progress was to be made against this disease. Despite the enormity of their task, our founders and their colleagues set about writing articles for popular magazines and professional journals; publishing Campaign Notes, a monthly bulletin of cancer information; and recruiting doctors throughout the country to help educate the public.

It was in these early years that the Society first used its now-iconic Sword of Hope symbol, which today is part of the organization’s logo. The sword came from a 1928 nationwide poster contest sponsored by the ASCC and the New York City Cancer Committee. George E. Durant of Brooklyn won the contest, receiving a first prize of $500. He selected the sword to express the crusading spirit of the cancer control movement. The twin-serpent caduceus, which forms the handle of the sword, emphasizes the medical and scientific nature of the Society’s work. Classically, twined serpents represent healing of the sick and creativity of the healthy.

Over the past 100 years, the logo has changed many times. The current American Cancer Society logo presents a contemporary, powerful, and cohesive entity. The trapezoidal shape with the angled edge suggests forward movement, aspiration, and growth. The overall design creates the image of a flag being carried forth toward victory. This symbol is intended to unite people in the common goal to save lives from cancer.

Seattle Aquarium Puts Safeguards in Place to Welcome Visitors

Seattle Aquarium Puts Safeguards in Place to Welcome Visitors

Seattle, WA. The Seattle Aquarium is open with timed ticketing and limited attendance, which means you’ll get up close to the animals and not other visitors. Seattle Aquarium staffers have worked closely with local health experts to provide a safe and fun experience.

There’s plenty of space to maintain distance as you stroll the wide sidewalk along Alaskan Way, taking in views of Elliott Bay and enjoying the sights and sounds of Seattle’s historic waterfront.

There are some changes you need to know about before visiting:

  • ONLINE TICKETS MUST BE RESERVED IN ADVANCE for all guests, whether you’re a first-time visitor or a long-time member.
  • YOUR TIMED TICKET indicates your arrival window. There is no limit to how long you can spend at the Aquarium.
  • FACE COVERINGS/MASKS ARE REQUIRED during your visit. Exemptions to this order include babies/toddlers under age 2; anyone with a disability that makes it hard for them to wear or remove a face covering; anyone who is deaf and moves their face and mouth to communicate; and anyone who has been advised by a medical professional to not wear a face-covering because of personal health issues.
  • A ONE-WAY PATHWAY with clear physical distance markers will guide you through the Aquarium and help protect everyone’s health.

Here’s a video with more information:

Opened in 1977, the Seattle Aquarium was owned and operated by the City of Seattle Department of Parks and Recreation until 2010, when the nonprofit Seattle Aquarium Society assumed its management—a model used by most leading zoos and aquariums across the country.

Currently, the Aquarium’s animal collection is housed within six major exhibits: Window on Washington WatersLife on the EdgePacific Coral ReefBirds & Shores, the Underwater Dome and Marine Mammals.

From the Seattle Aquarium:
The Seattle Aquarium is one of Washington state’s leading environmental education and stewardship institutions, and the region’s gathering place for discussion and sharing information about marine conservation. It maintains a number of research initiatives in cooperation with federal, state, zoological and university partners. The Aquarium is located on Pier 59, at 1483 Alaskan Way.

On the web: SeattleAquarium.org
On Facebook: facebook.com/Aquarium.Seattle
On Twitter: twitter.com/SeattleAquarium

ChichTech Continues to Grow Throughout Pandemic

ChichTech Continues to Grow Throughout Pandemic

Seattle, WA.  Due to COVID-19, ChickTech has transitioned all of its programs online; this includes ChickTech’s K-8 and high school programs, and its ACT-W conferences and events.  Although this transition has left ChickTech unable to do its signature in-person events, ChickTech program manager Ivette Cortez has found that “anything is virtually possible.” 

“In the past, we needed the space and the finances,” says Cortez.  Virtually, programs can be easier to coordinate.

High school students working in VR with ChickTech.

Students code with ChickTech in-person before the pandemic.

ChickTech’s new virtual mentorship program has reached over 150 high schoolers, a handful of which are returning students.  According to Cortez, ChickTech’s online platform has created new mentorship opportunities.  Before the pandemic, ChickTech struggled to coordinate mentorship opportunities in person, but staffers have found that mentorship is more manageable online.

ChickTech’s ACT-W (Advancing the Careers of Technical Womxn) conferences and events have also grown in the online format.  ChickTech expects attendance to double at this year’s ACT-W (Advancing the Careers of Technical Womxn) conference (August 26th-28th).  Previous ACT-W conferences have reached about 500 people, but Cortez believes that the virtual format will make the conference accessible many more.  

This year’s ACT-W conference will focus on inclusion in the tech field and include speaking sessions, technical workshops, one-on-one career coaching, and a virtual career fair.  People from all backgrounds and genders who are in the tech field, or interested in tech can register for the conference here.  Proceeds will go toward ChickTech’s high school program

ChickTech is also making strides in the realm of inclusion and diversity.  This last week, ChickTech’s board has been in the process of reviewing a DEI (diversity, equity, and inclusion) portfolio, which includes learning hours for staff to develop best practices for working with diverse populations. “We want to continue learning,” says Cortez, “We’re very dedicated to creating a more inclusive and diverse landscape.”    

From ChickTech:

Founded in 2012, ChickTech is a Portland, Oregon-based national nonprofit dedicated to retaining womxn (including non-binary and transgender individuals) in the technology workforce and increasing the number of diverse youth pursuing technology-based careers. We currently have over 25 chapters across North America, engaging a community of over 20,000 women and girls.

Seattle Dance Collective Premieres “Continuum: Bridging the Distance”

Seattle Dance Collective Premieres “Continuum: Bridging the Distance”

Seattle, WA. Seattle Dance Collective’s new project Continuum: Bridging the Distance will broadcast digitally to the public for five weeks. Continuum includes five works of art performed by Seattle Dance Collective members, filmed by Seattle-based filmmaker Henry Wurtz. New work will premiere each week beginning July 2 until July 30. Each work will be accompanied by a behind-the-scenes video citing the challenges and discoveries artists uncovered while creating art during a pandemic. Continuum: Bridging the Distance can be viewed on SDC’s website and Facebook page. Seattle Dance Collective will also provide online classes throughout the series, taught by artists involved in each week’s newly released work. There will be classes for dancers of varying skill levels, and all are free to the public.

Elle Macy and Dylan Ward in Home by Penny Saunders. Photo by Henry Wurtz

Since COVID-19 hit Seattle, co-founder and artistic director of Seattle Dance Collective Noelani Pantastico says “it was clear that [SDC] had to cancel [its] summer program” and re-imagine how to create art “under the constraints of social distancing.” Due to the absence of live audiences, Seattle Dance Collective “had to think very differently about how to bring artists together” and “engage audiences in a brand-new way.” Ultimately, Seattle Dance Collective “shifted [its] artist workshops online” and collaborated with colleagues to conceive Continuum: Bridging the Distance. Pantastico shares that “capturing SDC’s work on film and sharing it online has added an exciting element to [its] offerings.”

Founding Artistic Directors Noelani Pantastico and James Yoichi Moore. Photo by Lindsay Thomas

Pantastico and fellow SDC co-founder and artistic director James Yoichi Moore have been pushed to “learn new sets of skills.” Specifically, giving artistic feedback while reviewing and editing dance footage is a “new territory” for the artistic directors. Pantastico says that “responding to filmed product” differs greatly from the typical rehearsal process of communicating with dancers in real-time. Additionally, the artistic directors must give opinions on additional factors of the work aside from the dancers’ performances, including light, opacity, music, and film editing to ensure the “dance and dancers shine more.”

Amanda Morgan in Musings by Amanda Morgan. Photo by Henry Wurtz

Moore shares that Seattle Dance Collective’s “artists have also been stretched during this unconventional process,” as “creating dance for film is different in many ways from the traditional theater production.” Moore states that “dance is an art form that demands physicality and close contact,” so Seattle Dance Collective’s “choreographers had to completely adjust their method and figure out how to successfully develop and rehearse a new piece remotely via video call, rather than in the studio.” There are also added elements choreographers must consider in their creation process, including “taking advantage of close-ups and multiple camera angles.”

Lucien Postlewaite in A Headlamp or Two by Beth Tellwilleger. Photo by Henry Wurtz.

Dancers also had to adapt to rehearsing in the confines of their home and many of them had to rehearse in separate spaces, away from one another. Moore states that “in some cases, dancers were only able to experience the full breadth of movement when on location for the first time, before filming.” SDC’s filmmaker also learned to work in an “entirely new way” as he needed to “conceptualize camera work with very limited on-location rehearsal time.”

Leah Terada and Myles Pertl in The Only Thing You See Now by SeaPertls

Moore says that Seattle Dance Collective has always believed that “dance is a vital form of storytelling and emotional expression.” For this reason, “being able to offer artists the opportunity to continue practicing their art… when most artists have suddenly found themselves unemployed, is not only extremely rewarding” for SDC, but “crucial for the continued development of the arts.” Moore says that “people need art more than ever, and it is [Seattle Dance Collective’s] responsibility to put it out there”

From Seattle Dance Collective:

To support Seattle Dance Collective, people are encouraged to visit the organization’s website to “watch new filmsregister for classes, and share broadly.” Seattle Dance Collective relies on the generosity of supporters to “continue creating meaningful art” so any donation is “appreciated and essential to [SDC’s] future.” 

Seattle Dance Collective is dedicated to nurturing collaboration between dancers and choreographers and introducing audiences to transformative programs of artistic excellence. SDC was founded in 2019 by Noelani Pantastico and James Yoichi Moore and made its debut that summer with four sold-out performances at Vashon Center for the Arts.

Seo wordpress plugin by www.seowizard.org.