Seattle, WA. Things are getting closer to normal at The Henry Art Gallery. Visitors no longer have to register in advance, they can walk-up and buy tickets. Mask and social distancing requirements remain in place regardless of vaccination status. Here’s a link to visitor guidelines.
The Henry Art Gallery is part of the University of Washington and is currently showcasing Will Rawls: Everlasting Stranger which is featured in the image above. The exhibit, in collaboration with Velocity Dance Center, runs through August 15th.
In Everlasting Stranger, New York-based choreographer and writer Will Rawls (b. 1978, Boston, MA) activates relationships between language, dance, and image through the fragmentary medium of stop-motion animation. In his installation, time and movement slow as a live, automated camera photographs the frame-by-frame actions of four dancers. While the performers occupy the labor of becoming images, visual capture is staged as an obsessive process that is constant yet compromised by the movement it aims to fix.
Here, as in previous works, Rawls develops strategies of evasion and engagement within systems that mediate, distort, and abstract the body.
Rawls’s exhibition takes inspiration from the work of Guyanese writer Wilson Harris and his surrealist novel The Infinite Rehearsal (1987). In the book, the constrictive projections of the colonial gaze manifest as a child’s fever dream where ghosts reinterpret time, genealogy, and identity as unstable matter. Harris’s novel serves as a conduit through which Rawls addresses the misrepresentation that haunts all forms of capture, including photography and choreography. Within the temporal delirium that marks existence in quarantine, Rawls animates the life that appears between frames.
PERFORMANCE SCHEDULE:
Saturdays: July 17 – August 14, 12 – 3 PM
Will Rawls: Everlasting Stranger is a collaboration between Henry Art Gallery and Velocity Dance Center and is organized by Nina Bozicnik, Henry Curator, and Erin Johnson, Velocity Interim Artistic and Managing Director. It is presented in conjunction with the Seattle Festival of Dance + Improvisation, with project support from the National Endowment for the Arts. Additional support provided by UW Department of Dance, and by John Robinson and Maya Sonenberg. Costumes complements of womxn’s rites.
The exhibition is presented in conjunction with Murmurations, a Seattle-wide arts collaboration featuring a series of exhibitions, performances, screenings, community conversations, artist talks, and other programs co-developed between cultural organizations.
Other exhibitions are continually available this summer. For an online opportunity, Henry Art Gallery is hosting Sonolocations: A Sounds Works Series from June – August 2021.
Partnered with the Jack Straw Cultural Center, The Henry has commissioned a three-part series of audio artworks, to be released free and online throughout the summer of 2021. The participating artists were invited to consider the theme of place, and its unique resonance throughout the pandemic, to offer directed sonic experiences for listeners wherever they might find themselves. Participating artists are Byron Au Yong (b. 1971, Pittsburgh, PA), Chenoa Egawa (b. 1964, Ellensburg, WA), and Bill Lowe (b. 1946, Pittsburgh, PA) and Naima Lowe (b. 1979, Middletown, CT).
To get a preview of Sonolocations, listen to Byron Au Yong’s “Pomelo” here:
Audio artworks will be available on SoundCloud, and on the Jack Straw website. You can also subscribe to Sonolocations as a podcast to receive each piece when it launches.
The Henry is also hosting Gary Simmons: The Engine Room through August 22, 2021. The work of Gary Simmons (b. 1964, New York, NY) explores racial, social, and cultural politics, interrogating the ways in which we attempt to reconstruct the past via personal and collective memory. For this commissioned exhibition at the Henry, the artist created a large-scale wall drawing, a suite of new paintings and sculptures, and a sculptural installation, drawing together disparate components to create space for new interaction and invention.
This piece has been utilized in Jambalaya Jam at the Henry, a night of music celebrating Seattle’s recent musical past.
The installation will function as an interactive space, riffing off traditional American suburban garage architecture and referencing the garage as a site for invention, creativity, and experimentation, particularly for music/bands. As both a private laboratory and a public stage, the garage sculpture will be activated by a series of musician residencies, drawing on unique areas of the Seattle music scene, both historical and present, and tapping into the lesser-known, yet equally influential, genres and practices.
Simmons researched and archived band and concert posters from around the world to create this piece.
From Henry Art Gallery:
The Henry is internationally recognized for bold and challenging exhibitions, for pushing the boundaries of contemporary art and culture, and for being the first to premiere new works by established and emerging artists. Through individual experiences with art, we inspire visitors to upend their expectations and discover surprising connections.
Seattle, WA. The Borgen Project is hosting its first virtual summer event on July 31st, 2021: BORGENFEST. It is both a festival and a call to action to end global poverty; with music, celebration, and guest appearances. The festival features musical performances by Kitty Coen and 99 Neighbors, and includes guest appearances by Congressman Adam Smith, representative of Washington’s 9th congressional district; Natalie Gill-Mensah, an infectious disease expert and member on The Borgen Project’s Board of Directors; and Clint Borgen, President, and Founder of The Borgen Project. Proceeds from the BORGENFEST will benefit the organization’s poverty reduction efforts. To attend the event, you can find more information and register here.
This event is meant to build awareness about poverty reduction legislation and aid programs, while also celebrating the many obstacles overcome this past year in the international community. From the COVID-19 pandemic to an increase in violence against women, 2020 and 2021 have been particularly difficult for everyone. Yet amidst these tumultuous times comes a potential for unity: and that is cause for celebration.
Here’s a video about the organization:
Amy Pettigrew, Senior Program Manager at The Borgen Project and BORGENFEST Committee Chair, outlined the importance of this event: “The negative impacts of COVID-19 have caused a significant setback in hunger and poverty reduction efforts. Now is the time to ramp up our efforts and amplify voices who continue to struggle with the effects of the pandemic, in tandem with the fight to end global poverty. That’s what this event is for.”
More about The Borgen Project:
The Borgen Project is a bipartisan nonprofit campaign working at the political level towards the goal of eradicating global poverty. The organization was founded in 2003 by Clint Borgen, and has since then met with 87 percent of the U.S. Senate regarding key poverty-reduction legislation and other relevant bills. The Borgen Project continually mobilizes people worldwide to join their cause. With the advocacy help of this campaign, bills have been passed that improve women’s access to education, implement global health programs, reform global food aid, and more.
You are invited to celebrate with The Borgen Project on July 31st at 7pm EST, and you are welcome to register for the event here.
Seattle, WA. Vadis has been providing services to people with disabilities since 1979, and had to creatively adapt to the pandemic. The nonprofit provides services to adults with disabilities and to youth and young adults experiencing homelessness and recently, Vadis administrators had to learn how to support people in new and virtual ways. This included helping the people Vadis supports in employment to understand the ramifications of COVID and in particular, all the safety protocols now in place, like masking in the photo above. According to CEO Christopher Christian, “this was not a swift and easy transition for many of the people we support in jobs in the community.”
Many of the people Vadis supports were deemed essential workers due to the nature of their jobs. They needed to keep working or rapidly return to work when many others in their lives were not, or had the option to work from home whereas they did not. In some cases, the people Vadis supports do not have control of their home environment and decisions are made for them. Some of those decisions included not being supported to go back to work for fear they would bring COVID back home with them from the work environment. Staff deployment and roles had to immediately change and morph with ever-evolving social restrictions and rules.
Many of the people supported by Vadis were deemed essential workers from the start of the pandemic.
Vadis administrators say they were in a “continual state of flux and adjustment, like everyone else, on a daily basis for a long time.” Alongside new employee-based working conditions and parameters, Vadis also “simply lost employees, or employees availability due to fear or the need to stay home with their school-aged children.” This stretched already strained staffing resources and ultimately affected how Vadis could support people in their jobs, or pursuit of jobs.
Team members at Vadis “learned by necessity” how to maximize the ability to support people in the best way possible through virtual means. This lead to the discovery of new and virtual ways for people with disabilities to engage in their communities, even during a pandemic. Virtual participation included online classes, clubs, support groups, educational events, and learning engagements.
New opportunities for employment arose when many were seeking assistance from Vadis during the ebb and flow of the pandemic.
There are additional positive developments for Vadis amidst COVID-19. Many of the people supported were designated as essential workers right from the start of the pandemic. As jobs became increasingly unfilled with employers, this created additional employment opportunities for people seeking employment, who did indeed want to work.
Christian says, “Like everyone else, we have helped people cope with the unknown, chronic change, sense of powerlessness in their lives and the uncertainty of knowing if their employer would be needing them back.” As safety protocols continued to shift and vary, and the frequency with which they changed, many people supported by Vadis faced consternation and adjustment challenges.
From Vadis:
Vadis has been providing services to people with disabilities since 1979.
From a small agency serving 25 people, we have evolved, expanded and now serve over 1,000 people per month in King, Pierce, Snohomish, Kitsap, Thurston and Mason Counties.
What hasn’t changed is our commitment to the people we serve. We strive to provide people with disabilities, and those who experience homelessness, opportunities and experiences to fulfill their economic and human potential.
Vadis is dedicated to assisting businesses in finding great employees and be a more inclusive employer. Our focus on customer service is your assurance of excellence!
If you have questions or need to talk with staff, please call (253) 863-5173.
Seattle, WA. Pacific Science Center (PacSci) is a famously hands-on place of learning. Despite closures for the pandemic, the organization established online programming through Virtual Field Trips, Curiosity at Home, Science in the City. This summer, PacSci will be expanding those programs and administrators are excited to welcome more than 1,500 youth to camps that will fully occupy the facility. Another 1,700 youth will participate in camps provided at four other locations in the area as well as virtually. PacSci administration says that, “Just as science continually evolves, so too will our programs and operations.”
PacSci launched Curiosity at Home, a portfolio of free, interactive, and fun digital programming that ignites curiosity and supports STEM learning. It includes videos of live science shows, hands-on STEM activities, tutorials, and more. Curiosity at Home has received more than 350,000 visits from more than 140,000 individuals. Check out the Science in the City video below. It can be found on the Pacific Science Center’s YouTube.
PacSci’s virtual learning opportunities provide a wide array of STEM related programs.
This past fall, PacSci launched Virtual Field Trips to continue to serve educators, students, and families during the school year. Virtual Field Trips are interactive programs that bring the fun and excitement of a PacSci field trip to wherever students are learning. During the 2020-2021 school year, PacSci served more than 28,000 students, half from Title I schools or low-income communities through Virtual Field Trips.
The response to both programs has been “overwhelmingly positive.” Teachers and schools are appreciative that Virtual Field Trips support NGSS standards, which makes it easy to integrate into their lesson plans.
According to PacSci administration, COVID-19 has been a catalyst for innovation. Digital and virtual programming is something PacSci staff has always wanted to incorporate but didn’t know how or didn’t have the resources. COVID also removed all the geographical barriers and allowed expanded access to science education far beyond Washington State. Now people from all over the world can experience PacSci programs and offerings, and ignite their curiosity for STEM.
Tens of thousands of fans of all ages have participated in the new virtual education programming provided in the last year.
From Pacific Science Center:
PacSci is preparing for the world premiere of a very exciting in-person hockey exhibition in October. Additional focus areas include anti-racism work, resuming private event rentals this summer, and installing a state-of-the-art lighting system on the iconic arches. Other developments include finalizing joint programming with community organizations, plans to resume Science on Wheels, and a re-envisioning of the membership program.
PacSci relies on philanthropic support from the community, and with this help can ignite curiosity in more students. Goals include further prioritizing systemically underserved communities and providing even more scholarships for summer camps.
Some elements of renewal, such as building a modern maker and innovation lab and transforming the courtyard, will require additional philanthropic investments.
PacSci is almost entirely dependent on support from the community, including individual donors and corporate partnerships. Now more than ever, PacSci is reliant on the community “to ensure that Curiosity Never Closes!” Find where to make a donation today.
Our Mission
Pacific Science Center ignites curiosity in every child and fuels a passion for discovery, experimentation, and critical thinking in all of us.
Our Guiding Principles
Delight our guests: We offer warm hospitality and highly-engaging interactive experiences. People of all ages and levels of science sophistication find their time with us entertaining, enriching, and memorable. Our guests recommend us and seek to visit often.
Model science as a process: We show that science is a boundless and timeless process of inquiry, discovery, and problem solving. We inspire people to ask questions, develop hypotheses, conduct experiments, and evaluate evidence in all aspects of their lives.
Embrace experimentation and innovation: Experiments and innovation are central to the experiences we provide and the work we do. We also demonstrate that failure is a key ingredient of progress.
Enable access for all: Our facilities, programs, experiences and the benefits they provide are accessible to people of all backgrounds and financial, social, physical, and intellectual abilities.
Support educators and education: We support high-impact science education, focusing on PreK-12.
Serve as a community laboratory and living room: The community gathers at Pacific Science Center to discuss, debate, and collaborate on opportunities and challenges in which science and technology play roles. People come here to learn about and celebrate scientific and technological achievement. We pay special attention to the issues relevant to our city and region.
Run a smart and responsible business: We invest to sustain and grow our long-term impact. Our work attracts investment from public and private sources. We are leaders in socially and ecologically responsible behavior.
Expect and nurture excellence in our people: We attract, develop, and retain exceptionally talented people who believe deeply in our mission and who reflect the community we aim to serve. We expect excellence, and we inspect what we expect. Our culture is collaborative, creative, joyful, and fun.
Seattle, WA. Pacific Ballroom Dance has reopened its studio. The dance organization is a nonprofit focused on the performance of a variety of ballroom dances such as Latin and the Waltz. Pacific Ballroom Dance has been closed due to pandemic regulations, but now the organization is following covid-19 safe protocols. Teachers are able to coach in either private one-on-one lessons or small group lessons.
Ballroom dancing students of Pacific Ballroom Dance at a recent competition
Recently, sixteen students from Pacific Ballroom Dance, specializing in international Latin dance were asked to perform on an online platform with music chosen from the organizer for the California Open. In order for the judges to properly evaluate each couple (the leader and the follower) the body contact and each competitive dance per heat must be measured while being they are followed by a camera within a certain frame, at all times. And no post-recording editing is allowed to ensure fairness, and couples are judged by a live audience of judges who scan each frame carefully.
There are a lot of protocols to follow. For one-on-one instruction for a private lesson, there cannot be more than three individuals per studio space for two private lessons. All professional dancers, including beginners and instructors, are required to wear a CDC regulated mask at all times, complete Covid-19 screening questions for admission into the space and signing safety waivers forms, and must arrive already prepared in their training clothes/outfits as bathrooms and changing rooms are closed-off until further notice due to constrained space. They must also bring any personal supplies, as regulations have put a stop-onto sharing (such as utilizing the water fountain), and must social distance at all times until dismissed. Pacific Ballroom Dance has mitigated the pandemic quite well, particularly with strict enforcement of social distancing procedures, anyone with a temperature of over 100.4 degrees will be asked to stay home, and any use of public equipment or spaces will be thoroughly disinfected. For small group lessons, a similar premise arises for safety procedures. A large student capacity of no more than 14 people can use the large studio. Covid-19 screening questionnaire is heavily enforced, the temperature is taken, and regardless of an increase in space, students are not allowed to be accompanied by outside guests.
Couples on the dance floor must social distance for each heat.
Ballroom dancing is an interesting sport. Like other sports, students go through a similar process with nationals, finals, any type of competition-based performances called “opening’s” to increase their overall ballroom dancer rank. But due to the global pandemic, how did the dancers still stay in the game–dance professionally in front of judges, participate in front of judges amid the safety procedures called for?
Ballroom dancing students who participate in competitions must perform for an audience of judges while following safety protocols.
Recently for the 2021 Nationals for Ballroom dance, students from Pacific Ballroom Dance, although not in official formations, still performed for the National DanceSport Championships, and were able to successfully showcase their skills to win a couple of awards and medals. For most of the open events, the participants were smoothly able to make it to the quarter-finals. Ranging from Youth Smooth (waltz, tango, foxtrot) and Latin Dance to Adult Smooth and Latin Dance championship.
One of the many couples of the ballroom dancing contestants to perform in front of judges.
Due to recent positive developments from the global pandemic, Pacific Ballroom Dance offers free ballroom dance workshops on Tuesdays from 5:30-6:30 PM, an adult Latin dance night on Thursdays at 8:30 PM for the special month of July, and are hosting an upcoming event called the “Mid-summer extravaganza” from 7:30-10:00 PM on Saturday, July 31st for a chance for collective social dancing.
From Pacific Ballroom Dance:
Our mission is to build character in youth by providing a positive ballroom dance experience. And their vision is to provide youth with a positive artistic, social and athletic experience designed to help them be productive community members.
For the Youth Performing and Competition Teams, The Pacific Ballroom Dance Performing Company now includes more than 150 dancers on 10 Performing Teams of various ages and skill levels (Stars, Preteen, Junior, and Youth) and 16 Competition Teams! Dancers learn choreographed “formation” pieces involving many couples. As the largest ballroom dance organization in the Pacific Northwest, these young people serve as ambassadors and positive role models for youth today.
Pacific Ballroom Dance also has an Adult Academy that provides ballroom instruction for beginner to advanced level adult dancers. Classes run in five-week sessions year-round on weekday evenings. Daytime Tea Dances bring ballroom to our retired community members, and weekend social dances for the public round out the program.
Seattle, WA. Seattle Theatre Group (STG) is preparing to reopen doors for limited in-person events in July. There are restrictions in place to keep patrons safe. Virtual events will continue, such as the upcoming DANCE This Virtual Performance, above. STG includes the Paramount, Moore, and Neptune Theatres.
For all STG theatres, proof of full COVID vaccination and matching photo ID required at the door. Face coverings are required for all attendees, regardless of vaccination status. Any individual who cannot wear a face covering due to an exemption should contact [email protected] for more information. Requests for accommodations to the face covering requirement will be assessed on a case-by-case basis. COVID policies are subject to change.
Proof of full COVID vaccination includes one of the following: (1) vaccination card (which includes name of person vaccinated, type of vaccine provided and date last dose administered); OR (2) a photo of a vaccination card as a separate document; OR (3) a photo of the attendee’s vaccine card stored on a phone or electronic device; OR (4) documentation of vaccination from a healthcare provider, electronic health record, or state Immunization Information System record.
This informational video regarding current safety precautions at The Neptune provides further insight.
STG is banding together in a national campaign with the National Independent Venue Association (NIVA), Event Safety Alliance, Association of Performing Arts Professionals (APAP), Coalition of Performing Arts Centers, and National Independent Talent Organization (NITO), to endorse and adopt this “Safe In Sound” reopening guidance checklist. This CDC-reviewed checklist of safety protocols is being adopted across the industry as the recognized standard for safe and healthy event operations as the live entertainment industry recovers from the COVID-19 pandemic.
In the transition to in-person events, online opportunities remain available. The virtual RE:DEFINITION gallery is up online. Tariqa Waters, owner and curator of Martyr Sauce, and the late Jonathan Moore founded the RE:DEFINITION gallery at the Paramount Theatre bar in 2015, a partnership with STG to redefine historic cultural space. The goal of the space was always to elevate underrepresented artists and issues of equity in the community.
This mural was commissioned for RE:DEFINITION by STG during the COVID-19 pandemic and coincides with the 5th anniversary of the gallery at The Paramount.
The events calendar provides a list of virtual and in-person opportunities coming up at all three theatres.
From Seattle Theatre Group:
Seattle Theatre Group® is a 501(c)(3) non-profit arts organization.
Mission:
To create enriching experiences in the arts, engage diverse communities, and steward historic theatres.
Vision:
STG is the people’s theatre. All are welcomed and represented.
Values Statement:
We value Art: Art connects us. It allows us to explore all aspects of our humanity, to debate, to celebrate and to grow.
We value Community: It is our role to advocate for greater participation in the arts, reduce barriers, and include diverse People, Cultures and Perspectives on our stages, in our audiences and within our staff, volunteers and board.
We value Service: We are committed to caring relationships with patrons, partners, artists and staff.
We value Learning for All: We deepen connection to art when we inspire the greater community through education, performance opportunities and healing.
We value our Team: We believe in the power of passionate people who care for our mission and each other.
We value Stewardship: We make the best use of our resources, effectively and sustainably serve our mission, and preserve our assets.
STG presents an average of 700 events annually at The Paramount, The Moore, and The Neptune Theatres as well as at venues throughout the region. Broadway productions, concerts, dance, theatre, lectures, education, community, film, and other enrichment programs can be found in our venues.
A multitude of artists and performers, partner organizations, donors and foundations, volunteers, and most of all – our patrons, make it possible for STG’s mission to be fulfilled.
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