Seattle, WA. Nine leading Seattle arts organizations have received welcome news at a critical time. On October 20th, 2020 the Friday Foundation announced philanthropic gifts totaling more than $9 million to honor the lives and legacies of late art enthusiasts Jane Lang Davis and Richard E. Lang (pictured above).
“These gifts are a shining example of what community support for art and art institutions looks like, and it reflects and furthers the incredible legacy of the Langs,” said Amada Cruz, director and CEO of the Seattle Art Museum. “The gift to our Closure Relief Fund was the single largest gift to that fund, and it arrived at a crucial moment in April as we faced the crisis directly, enabling us to support all museum operations.”
Aaron Fowler’s “Into Existence” exhibit, Seattle Art Museum.
The Langs believed in the power of the arts to embrace new ideas, foster quiet reflection, and promote community. The gifts are intended to inspire others to discover and engage with Seattle’s many cultural communities and opportunities in the visual and performing arts and find lifelong engagements as the Langs did themselves. Whether it is attending a concert or performance, volunteering with an organization, or discovering art, the hope is to remind the Seattle community that there are so many places and organizations for people of all ages to find inspiration.
With lights dimmed in most theaters and museums this year due to COVID-19, these gifts enable five major Seattle arts organizations – Seattle Art Museum, Seattle Symphony, Pacific Northwest Ballet, Seattle Opera, and the Henry Art Gallery at the University of Washington – to acquire or present new works for audiences to enjoy from home or in person when it is safe to do so.
“My mother and stepfather were dedicated to the arts, to Seattle, to the stability of these critical civic gems, and to the inherent promotion of human connection,” said Lyn Grinstein, daughter of Jane Lang Davis and president of the Friday Foundation. “Through the Friday Foundation, these gifts will help fulfill these wishes, by funding new activities and initiatives, as well as provide stability through financial assistance to operations hard hit by the pandemic shutdown.”
The Langs, who lived in Medina, are best known for their internationally recognized art collection with a focus on Abstract Expressionism. Richard joined the Seattle Art Museum board in 1972 and served until his death in 1982. Jane, who died in 2017, joined the SAM board in 1985 and in 2000 became a lifetime trustee, and served for a time as the chair of the Honorary Trustees. Always true to her devotion to abstraction, emerging artists, and the newest work, Jane was an early and active member of the Contemporary Art Council (CAC), advocating for and supporting Seattle Art Museum’s early initiatives in its contemporary collections and exhibitions. She served on CAC and all its subsequent forms for four decades and was an active participant in all major fundraising campaigns.
To continue the Lang’s legacy, the Friday Foundation is funding The Richard E. Lang and Jane Lang Davis Acquisition Fund for Global Contemporary Art at the Seattle Art Museum with a $2 million gift. Amid the COVID-19 global pandemic, the Friday Foundation also gifted the Seattle Art Museum an additional $2 million in emergency funds to help offset economic losses when the museum closed to visitors in March. Amanda Cruz, SAM’s director and CEO stated that “This endowment will help shape the future of SAM’s collection, as we continue our focus on emerging artists from all over the world. We are extremely grateful for the generosity of the Friday Foundation.”
The Seattle Opera
Christina Scheppelmann, general director of the Seattle Opera, said, “This extraordinary gift from the Friday Foundation allows us to create the Jane Lang Davis Creation Lab, which cultivates the next generation of storytellers in opera. This new multi-year initiative will contribute to the operatic repertoire at large — and bring new stories to our community — by supporting the talents of a diverse group of composers and librettists (ages 18-30). Opera needs new and varied perspectives to thrive into the future—and to complement great works of the past. The impacts of this gift will reverberate in Washington State, and far beyond. We are humbled by this investment in the future of opera.”
“The Langs transformed the arts landscape throughout our region with their stewardship, advocacy, and extraordinary support,” said Sylvia Wolf, John S. Behnke Director of the Henry Art Gallery. “With these gifts, their impact will live on, in perpetuity. The Henry has a long tradition of inviting artists to consider the museum as a laboratory for new ideas. This extraordinary gift will allow us to expand this practice and to deepen our service to artists, audiences, and the field at large. It will also connect our UW community and students of all ages with living artists and their creative processes. We are deeply grateful to the Friday Foundation for establishing the Henry’s first endowed fund specifically geared towards supporting newly commissioned work.”
In addition to the $2 million SAM acquisition fund, the new endowments include $1.5 million to support the development of the Richard E. Lang and Jane Lang Davis Living Music Program at the Seattle Symphony, $1 million for the creation of the Jane Lang Davis New Works Fund at Pacific Northwest Ballet, $1 million to support the launch of the Jane Lang Davis Creation Lab at the Seattle Opera, and $1 million to support the creation of the Richard E. Lang and Jane Lang Davis New Works Fund at the Henry Art Gallery.
The Seattle Symphony
“The Seattle Symphony is honored to receive this grant from the Friday Foundation recognizing the legacy of Richard and Jane,” said Seattle Symphony president and CEO Krishna Thiagarajan. “The Symphony is known for its imaginative programming, from our [untitled] series to our just-launched The Essential Series. The Richard E. Lang and Jane Lang Davis Living Music Program allows us to expand this transformative work by creating a pathway for sustained success within our bold programming choices, while also giving us the possibility of re-envisioning the concert experience for audiences within and beyond Benaroya Hall.”
Peter Boal, artistic director of Pacific Northwest Ballet, said, “Through the gift of the Friday Foundation, Jane and Richard Lang’s legacy continues by helping the creation of new choreography. Because of this generosity, Pacific Northwest Ballet will be able to fund an original new work every season. When I choose the commission every season, I will recall Jane’s willingness to embrace risk and innovation in order to bring inspired art and dance into our lives.”
In addition to the new works, other Friday Foundation gifts announced today include $270,000 to ArtsFund’s COVID-19 Arts Emergency Relief Fund, and $100,000 each to ACT – A Contemporary Theatre, Seattle Rep, and the Seattle Chamber Music Society.
“The Langs understood the transformational power of the arts – a power we need today more than ever,” said Michael Greer, president and CEO of ArtsFund. “Their vision and legacy, honored by these gifts from the Friday Foundation, will have an immediate impact on arts and culture in our region and will resonate for years to come. These gifts serve as a significant reminder of the impact of philanthropy, and how we can and must all work together to secure the future of cultural organizations that help our community thrive. These generous gifts are inspiring and set a profound example for us all.”
Pablo Schugurensky, adviser to the Friday Foundation, said, “As well as sustaining and strengthening these nine institutions, we hope these gifts spur others to join the arts community, inspired by the examples of Jane Lang Davis and Richard E. Lang and their deep commitment to the arts and their love for Seattle. Whether it is creating art, enjoying a performance, attending exhibitions, or supporting artists and art organizations in their city, we all have an important role to play.” This gift honoring the Langs’ legacy is the first of several. Additional announcements will be made in 2021.
Seattle, WA. The Wing Luke Museum has been hard at work putting new content on its website. Due to COVID-19 the Museum is closed until October 7th. New additions to the website include new curated stories, digital content, and virtual tours. The Wing Luke Museum is “A physical embodiment of community, it is truly a community based museum that represents community voice and stories, as well as the spirit and heritage. There will always be a home for these stories.” This was stated by Ellen Ferguson, The Co-President of the Board of Trustees at the Wing Luke Museum in a video posted on its YouTube channel and website. The Museum is a place where “the Asian Pacific American community looks to for engagement, inspiration and leadership.” This all can be felt when learning about its history and why the Wing Luke Museum was founded. The stories that are being told are personal and “hardly told in the school books and rarely seen on TV.” Until October 7th when the Wing Luke Museum opens up for in-person tours its website is a great gateway into the Asian Pacific culture.
Jewelry Located at The Wing Luke Museum Via Facebook .
Art Work Located At The Wing Luke Museum Via Facebook.
Virtual Tours are a great way to experience The Wing while we are all staying inside and social distancing. “We have decided to close our doors for the sake of our community, but through this closure we have found new and innovative ways to take you folks inside our walls”. This was said at the beginning of a quick Virtual Tour by Alexis L. Silva a Artist, Curator and Visitor and Events Assistant Manager. These tours offer great insights and a general basis of information about exhibits in the museum. When taking a tour you will have a guide that will speak on the exhibits being shown during the tour. The tour consists of a camera showing off parts of the Wing that help give you a chance to learn and experience many different art pieces and performances. These tours are 45 minutes and are being held every Thursday at 5pm, this experience will help you learn about the immigrants in the 1900s and the Family Association Rooms that housed them, as well as the Yick Fung Store. You can RSVP for next Thursdays tour right here on the Wings website.
Alexis L. Silva Presenting An Exhibit On A Virtual Tour Called Where Beauty Lies.
On October 7th the Wing Luke Museum will resume operation with some new policies to help ensure the public safety. Buying tickets online is highly encouraged, as well as capacity within the museum will bow be limited. Masks will be required and physical distancing is required. Lastly, storage will be closed. These guidelines are to ensure safety for museum-goers and to help give everyone an enjoyable experience. Planning your visit is encouraged and all information about the museum can be found here on its website. When arriving at the museum expect a contactless experience. This meaning that anything that would be intractable such as touchscreens and multimedia installations in exhibits, has been removed. There is much more the Wing Luke Museum is offering on its website including YouthCAN, a free, after-school, high school arts program designed to provide students with exposure to arts professions and increase their knowledge and familiarity with the Chinatown -International district. There is a Virtual gallery that teenagers and kids can explore. This showing off many different art forms and giving some background to how and why these came to be. This was created by YouthCAN student lead Henry Jensen. This virtual experience was curated from the museum having to close down. “Being able to put this exhibit together and continue working with these students after the closure due to COVID-19 has truly made my days brighter”. That was said by Alexis L. Silva on YouthCAN transitioning online.
YouthCAN Virtual Tour From The Wing Luke Museum.
Wing Luke Mission Statement: We connect everyone to the dynamic history, cultures and art of Asian Pacific Americans through vivid storytelling and inspiring experiences to advance racial and social equity.
Location and Information: 719 S. King Street Seattle, Washington 98104 – 206.623.5124 – [email protected]
Seattle, WA. TeenTix has adapted its programming to accommodate for COVID-19. (Pictured above are some smiling teens at a TeenTix event before COVID-19.) One of TeenTix’s main offerings is the free TeenTix pass, which enables any teenager to purchase $5 day-of-show tickets to an event with any of TeenTix’s partner organizations in the greater Seattle area. The TeenTix Events Calendar shows all of the upcoming arts events that teens can attend with their TeenTix pass. Currently, the TeenTix Events Calendar contains all virtual events, many of which are free for the public to view. However, if an event requires a registration fee or ticket for viewing, these tickets will be available for $5 for those who have the TeenTix pass.
Through increasing access to local art events, TeenTix’s mission is to “build a bright future for [the Seattle region] by empowering young people to take an active role in shaping their arts community as audience members, critics, influencers, advocates, and patrons.” Despite the unforeseen circumstances COVID-19 brought about, including virtual events on the TeenTix Events Calendar has allowed the nonprofit to “go outside its usual partners,” even reaching as far as Philadelphia. Executive Director Monique Courcy shares that the organization has “thought more about geographical boundaries” and how TeenTix can “go even further with arts organizations” moving forward.
A TeenTix event before the COVID-19 pandemic
TeenTix’s New Guard program has also pivoted in new ways this summer. The New Guard: Teen Arts Leadership Society is a leadership program that allows teens to engage with teen arts audiences and assist with the development of TeenTix programs. The New Guard’s tasks include fundraising, planning teen-centric arts events, engaging in discussions about arts equity and social justice, and building a community of teens who love the arts.
The New Guard participants meeting prior to COVID-19
According to Courcy, “Zoom has been [the New Guard’s] best friend” this summer. Last spring, New Guard participants planned the Teen Arts & Opportunity Fair. More recently, participants produced a summer mentorship program that connected professional artists of color with groups of young artists of color. Members also have the opportunity to produce art for the upcoming Teeny Awards, an award show in which teenagers vote for awards to give to arts partners. This year’s Teeny Awards will be conducted online later this fall.
The TeenTix Press Corps has also transitioned its programming online. The Press Corps program allows teens to explore and practice art criticism and journalism. As a result of COVID-19, Press Corps participants are meeting through Zoom and finding virtual art pieces to review and critique. An essential part of the Press Corps is the TeenTix Newsroom, which consists of a group of teen writers who review events put on by TeenTix Arts Partners and publish their work on the TeenTix blog. The TeenTix Newsroom is led by the Teen Editorial Staff. The 2020-2021 Teen Editorial Staff is pictured below.
The 2020/2021 TeenTix Teen Editorial Staff. The top row from left to right features Mila Borowski, Triona Suiter, and Lily Williamson. The bottom row from left to right features Lucia McLaren, Eleanor Cenname, and Anya Shukla.
A TeenTix Newsroom meeting over Zoom. This year, 37 new writers and 6 new editors are joining the TeenTix Newsroom.
A TeenTix Press Corps workshop prior to the COVID-19 pandemic
This summer, TeenTix also conducted a free Arts as Activism series, in which black artists were invited to discuss their work or the work of other black artists. Courcy shares that this series was meant to “talk about how activism is related to art.” Each event in the Arts as Activism series focused on a different genre of art, including theater, dance, and performance art. Attendees learned about the history of social justice movements and how art is intertwined with both past and present ones.
From TeenTix:
To support TeenTix, people may donate today or provide monthly contributions by joining the TeenTix Honor Society.
TeenTix exists to break down the barriers that prevent teens from accessing art in our community, such as ticket or admission cost, not knowing where to look for events, navigating transportation around the city, and feeling insecure around arts-going if there’s no one in their lives already championing the arts.
TeenTix builds a bright future for our region by empowering young people to take an active role in shaping their arts community as audience members, critics, influencers, advocates, patrons, and leaders.
Seattle, WA. Town Hall Seattle officially shut its doors on March 11th in light of the COVID-19 virus. Since then Town Hall Seattle has transitioned online, Lusink shares that the organization has been able to “adapst pretty quickly” and livestreams are being received well by the public. Town Hall Seattle is offering the community livestreams nearly every day with guests in various fields, including the arts, sciences, and civics. The people that will be featured in these livestreams include disability activist Alice Wong, author Mychal Denzel Smith, comedian Michael Ian Black, and many more. Tickets for these online events cost $5 for the general public and are free to those 22 years old and younger. For households with three or more people viewing the event, tickets cost $15. Director of Marketing and Communications Jordan Lusink shares that purchasing household tickets allows the public to “support [Town Hall Seattle] a little more if multiple people are watching.” More information on upcoming livestreams is available here.
Recordings of livestreams are also available on Town Hall Seattle’s YouTube page. Below is one of Town Hall Seattle’s recent recordings of Richard Scholar’s conversation with Kathleen Cain regarding the history and significance of French words in the English language.
Another featured participant for the livestreams is disability activist Alice Wong,
Disability activist Alice Wong will partake in a livestream with Elsa Sjunneson about disability activism in the 21st century on 9/9 at 7:30 PM.
Author Mychal Denzel Smith will have a livestream about “life after the American dream” on 9/22 at 7:30 PM.
Comedian Michael Ian Black will discuss toxic masculinity and “how to be a better man” in his livestream on 9/30 at 6:00 PM.
Town Hall Seattle is a nonprofit that acts as a gathering place for the Seattle community to engage in conversations about a variety of topics. Since 1998, Town Hall Seattle has “matured into a nationally unique artistic and civic hub in the heart of Seattle.” Town Hall Seattle regularly works with rental partners to “level the cultural playing field and amplify the voices of diverse communities.” The organization’s staff also collaborates to create over 200 programs every year that span the arts, sciences, and civics. Aside from its numerous events, Town Hall Seattle also maintains a landmark historic building that was originally the Fourth Church of Christ, Scientist, in Seattle. The building was constructed in two stages from 1916 through 1922 and the congregation was its only occupant until it was later sold to Town Hall Seattle in 1998.
Images of Town Hall Seattle’s building throughout time, designed by architect George Foote Dunham.
A more recent photo of the interior of Town Hall Seattle’s building.
Town Hall Seattle was already taping many of its programs, so Lusink shares it was “really easy to pivot to a digital stage.” The organization’s only exception to non-in-person programming was its weekly livestreamed concerts with Earshot Jazz through June and July.
A promotional photo for one of Earshot Jazz’s livestreams with Town Hall Seattle.
Lusink points out that there “hasn’t been a lot of support for arts and cultural organizations” throughout the COVID-19 pandemic, despite arts organizations often being the “first things people turn to when times are tough.” Nevertheless, Lusink shares that it is “interesting to see what the community looks like in a digital space” and encourages people to check out Town Hall Seattle’s upcoming events, as “a lot of important conversations are coming up.”
A pre-pandemic image of people gathering at Town Hall Seattle.
From Town Hall Seattle:
To support Town Hall Seattle, people are asked to check out its calendar of events. Town Hall Seattle is also a member-supported organization, so people may show support by becoming members today. Membership prices start at $30 for students and seniors and $45 for general members. Town Hall Seattle also accepts financial donations.
A vibrant gathering place in the heart of Seattle, Town Hall fosters an engaged community through civic, arts, and educational programs that reflect—and inspire—our region’s best impulses: creativity, empathy, and the belief that we all deserve a voice.
Renton, WA. Evergreen City Ballet will offer the public different versions of dance classes for fall. Artistic Director Bennyroyce Royon says “to address the varying needs of the community, [Evergreen City Ballet] has created new programs and expanded them.” Students have the option of taking classes in-person, virtually, or through a hybrid model, in which class groups alternate between in-person and virtual classes every week. Currently, in-person classes are limited to five students per class group, but this may change following local and state requirements. Virtual classes will be conducted entirely through Zoom. Evergreen City Ballet is also instating various protocols in its studio to ensure the health of its students and staff amid the COVID-19 pandemic. These protocols include providing physical distancing markers, wearing face masks, administering daily temperature checks, and frequent hand washing. Information about class tuition at Evergreen City Ballet is available here. Watch the video below to see an overview of Evergreen City Ballet’s offerings:
Evergreen City Ballet is a nonprofit pre-professional ballet school located in Renton, WA. Royon, a Julliard alumni and former dancer on Broadway, says that since 1994, Evergreen City Ballet has been a “small but mighty” school that provides dance education for people all around the Pacific Northwest. The ballet school offers programs for dancers of all ages and abilities, from 20-month-year-old children to adults. In addition to its classes with live accompaniment, Evergreen City Ballet also showcases an annual production of TheNutcracker that tours to several cities in the greater Seattle area. Evergreen City Ballet’s The Nutcracker aims to provide the community with an “affordable and accessible” production to enjoy.
A pre-pandemic performance of The Nutcracker at Evergreen City Ballet.
Royon shares that due to the COVID-19 pandemic, Evergreen City Ballet “had to close and shut down” its classes earlier this year, as well as cancel rehearsals and productions. Following ECB’s closure, staff had to quickly “learn new ways of teaching through Zoom.” Royon shares that this transition was a “challenge,” as Evergreen City Ballet’s “education of students is hands-on.”
Students train at the ballet barre in a class prior to COVID-19. Photo by Michelle Smith-Lewis Photography
Fortunately, Royon shares that the dance community is equipped to “problem solve, create systems, and move forward,” which was an asset for Evergreen City Ballet’s online transition. And despite the loss of revenue stream from ECB’s productions, the ballet school was grateful to receive support from past and current families that take classes, as well as receive grants. Royon says Evergreen City Ballet is “really lucky and thankful for funders.”
Young students dance in a pre-pandemic dance class.
Royon reports that ECB’s program modifications are managing to “bring people together in strange and unexpected ways,” and even spark innovation. Throughout the course of the COVID-19 pandemic, ECB will closely follow local and state news and mirror its offerings with what is happening in local school districts. Royon hopes to maintain the school’s “open-door policy,” as Evergreen City Ballet is a “second home to a lot of families and students.” Moving forward, Royon wishes for people to “reflect and connect deeper within themselves and with people in their environment” and utilize the arts as a way to heal.
From Evergreen City Ballet:
Evergreen City Ballet accepts any kind of support or encouragement people can offer. Anyone is welcome to make financial donations, and Royon shares that no donation amount is too big or small. People are also encouraged to keep an eye out for future virtual productions on ECB’s website.
ECB’s mission is to provide high-quality dance education and performance opportunities to students of all ages and to enrich the diverse communities in the Puget Sound region through performances, outreach, and community engagement initiatives. Our long-term vision is to be a nationally recognized, premier, pre-professional ballet school with a studio company that cultivates excellence, diversity, inclusiveness, and innovation.
Seattle, WA. Gage Academy of Art is offering a variety of online art classes for the public in light of the COVID-19 pandemic. Through Gage 360 online classes, people can connect with instructors and peers to learn art skills, receive feedback, and conduct discussions about art from the comfort of their homes. Gage is also offering online summer programs for kids and teens through differing subscription plans. Check out this video introducing Gage 360 to the public:
Gage Academy of Art Registrar Morgan Patten shares that Gage’s goal as an organization is to “provide an array of classes and offerings to not just adults, but youth and teens.” When the COVID-19 pandemic hit Seattle, Patten shares that Gage aimed to still have its regular classes and “maintain connections” through an online model.
Director of Global Marketing, Communications Technology, and Community Engagement Joanne Levy shares that Gage “went from never offering online classes to creating two-quarters of online and free learning” for the public. Patten says that so far “free offerings have been great” and Gage has been able to “maintain the same quality of instruction” as well as “achieve global reach.”
Patten says, “engaging in hobbies and activities that let [people] be creative at a difficult time is important.” She also shares that “the arts is something that needs to be protected and invested in, especially at times like this” to “help those who are struggling.” Through online art offerings, Levy says that Gage wants “people to keep art alive” so that the organization “can be there for another 30 years.”
Among the Gage 360 offerings, Gage Academy of Art is conducting Art Bites, which are $25, hour-long art classes taught by various instructors. People may also partake in the Art to Go series, which is free to the community and offered twice each week. The Art to Go series features free art tutorials, demos, and lectures from Gage instructors through Zoom.
A promotional photo for Gage’s Art Bites online program
A promotional photo for Gage’s Art to Go with instructor Kathleen Moore
There is also an option of Art to Go for teens, which is an online version of Gage’s Teen Art Studio (TAS) program. Teen Art Studio is a free program that increases art access for individuals ages 13-18 who may face barriers to creative outlets. This includes teens who experience homelessness, LGBTQIA youth, or those who speak English as a second language. The program is all about providing teens with a safe space for self-expression. Through TAS, teens receive free online art classes every Friday night from professional instructors in a variety of subjects and mediums, such as drawing, sculpting, painting, visual storytelling, cartooning, and more.
A promotional photo for Teen Art Studio online, featuring art by TAS instructor Scott McCall
Gage has also shifted its youth summer program to an online subscription model. There are monthly and summer-long subscription plans for children ages 6-11, in which participants receive art and movement lessons from professional teaching artists for two hours each day. There are also online summer classes for teens, in which individuals ages 13-18 dive into their art passions in two-week-long drawing, painting, and digital animation intensives. Or teens may explore a variety of new art skills in one-week classes on printmaking, sculpture, and illustration. More information on scheduling and pricing for the different weeks of teen programming is available on Gage’s website. Check out the video below promoting Gage’s summer classes for teens:
An example of printmaking and ceramic art creation taught in Gage’s teen summer program by Nicholas Nyland and Klara Glosova. This work, created by Nyland, combines painting techniques with printmaking and sculpture.
There are also countless online art classes and weekend and week-long workshops for adults to explore. These include Gage’s Plein Air classes, in which participants meet with Gage instructors at a social distance at one of Seattle’s parks or outdoor spaces to learn and create art.
Art by Crystal Soojeoung Shin from a past workshop at Gage Academy of Art on creating “Handmade Cards with Botanicals,” taught by Shin.
For 30 years, Gage Academy of Art has provided contemporary art instruction and personal mentorship for artists of all skill levels. The organization is especially known for its Gage Academy of Art Atelier programs, in which artists pursuing mastery in painting, drawing, or sculpture may receive guidance from accomplished teaching artists.
From Gage Academy of Art:
To support Gage Academy of Art, people are encouraged to take a class this summer, as well as check out upcoming workshops and lectures. People are also welcome to donate.
An innovative and accessible contemporary art school, Gage Academy of Art is unapologetically independent and fiercely committed to excellence in the fields of painting, drawing, sculpting, and printmaking. Celebrating 30 years of service to the community, we believe in personal mentorship and skills-based studio instruction, delivered by brilliant teaching artists with charcoal dust under their nails. Whether you are a curious newcomer or a professional artist, a working creative or a retired passion-seeker, Gage is open to anyone with the desire to learn.
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