Seattle, WA. Museum director Sylvia Wolf says the Henry Art Gallery still has a lot to offer during the COVID-19 pandemic. The museum on the University of Washington campus has shifted many of its offerings to a virtual format through #HenryAtHome. Sylvia Wolf, says #HenryAtHome is a “suite of digital offerings to stay connected to contemporary art and ideas.”
Sadie Barnettes 2019 “Room To Live” is a mixed media installation with holographic vinyl sofa, metal flake TV, archival inkjet prints, and metal flake security cameras. Photo credit, Mark Woods.
Through Instagram, Facebook, and Twitter, the Henry is giving the public “insights into artwork, interviews with artists, stories about objects in [the Henry’s] collection, and ways to make art at home.” The Henry’s website features a variety of online presentations, including works from its collection and in-depth information on its exhibitions. The Henry Art Gallery has moved ArtVentures, a free art-making workshop for intergenerational groups, online. The Henry’s In Plain Sight film series, created in collaboration with Northwest Film Forum, has found a new home online as well. Watch the video below to hear more about artist Oscar Tuazon’s contributions to the Henry’s In Plain Sight exhibition.
The Henry Art Gallery closed its doors on March 10th when COVID-19 cases began increasing in Seattle. Since the organization’s closure, the Henry’s staff has been working remotely, except for essential personnel working onsite to ensure the safety of the Henry’s building and the art within it. Wolf says that moving to remote work was “a fast pivot,” but “one that staff responded to with grace, flexibility, and inventiveness.”
Wolf, whose title includes a nod to donor John S. Behnke, says that the online programming featured in #HenryAtHome has “generated an extraordinary amount of interest from people around the world.” Specifically, the Henry’s Re/frame program has transitioned to an online format and drawn in global attention. Re/frame is a recurring program in which items from the Henry’s collection are brought under one theme and presented to the public to view. According to Wolf, the widespread interaction that Re/frame sparked has “encouraged broader conversations and deepened engagement with the works and how they relate to today’s times.” In response to this feedback, Wolf says that the Henry’s staff hopes “to offer this and other programs onsite and digitally as [they] go forward.”
Beatriz Cortez’ work for the exhibition, In Plain Sight. Photo by Mark Woods.
In response to the Black Lives Matter movement transpiring throughout America, Wolf says that the Henry Art Gallery “stand[s] in solidarity with Black and brown artists, colleagues, and community members.” Moving forward, Wolf says the Henry will “deepen [its] commitment to confronting overt and systemic racism.” The Henry will also “actively support the shifting of power from those who have benefited from structures of racism to those that have been oppressed by the cultural climate and practices within the art world, and by institutional racism in general.”
william cordova’s work for the exhibition In Plain Sight. Photo by Johnathan Vanderweit.
Within the Henry Art Gallery, Wolf says that staff is “taking time to listen and reflect on what [they] can do to become a more anti-racist organization.” This means looking closely at how systemic racism plays out within their organization, taking steps to create structural and systemic change, and diversifying staff, management, and board governance to represent the greater-Seattle region. The Henry Art Gallery will also continue “diversify[ing] programming to amplify the voices and views of many, and to celebrate art in a broad variety of forms.” To learn more about the Henry Art Gallery’s commitment to racial equity, people may read its full Pledge to Racial Justice here.
Hayv Kahraman’s work for the exhibition, In Plain Sight. Photo by Mark Woods.
Wolf recognizes that “art has the power to incite, challenge, heal, and to imagine new possibilities.” Thus, Wolf shares that the Henry is “encouraged by the response to [its] programming” and that the organization “look[s] forward to continuing a multitude of offerings.”
From the Henry Art Gallery:
To support the Henry Art Gallery, people are welcome to follow the organization on Instagram, Facebook, and Twitter, subscribe to its YouTube channel and sign up for its e-newsletter to hear updates on the Henry’s latest content and programming. People may also support Henry’s efforts to build future programs and partnerships by becoming a member, which helps the Henry make free art content for the public.
The Henry is internationally recognized for bold and challenging exhibitions, for pushing the boundaries of contemporary art and culture, and for being the first to premiere new works by established and emerging artists. Through individual experiences with art, we inspire visitors to upend their expectations and discover surprising connections.
Seattle, Wa. The Northwest Screenwriters Guild has moved its weekly scene analysis meetup to online only. This due to COVID-19 and its deterrent to be in large groups. Screenwriters used to sit side-by-side (above) but now instead of meeting in person at College Inn Pub, everything now can be found online. This event is held online doesn’t take away from the main focus in these meetings. “First and foremost, to assist fellow screenwriters hone the craft of writing scenes- both action and dialogue”. Normally people would bring in their working scripts and there would be a mass table read as well as critiques at the end. The only difference is not being in person, luckily the benefits are all there.” A chance to hear portions of your work read( by real people, not the final draft robot), as well as receive suggestions to improve the material”. There is no cost or additional fees to join, as well as no restrictions on your current skill level. The next analysis meetup will be held online on August 5th from 6:30 pm to 8:30 pm.
This vintage image shows how Northwest Screenwriters used to have table readings before COVID-19.
If screenwriting isn’t your passion you can also volunteer with the Northwest Screenwriters Guild. With various areas of need such as “event coordinators, fundraising and people to help with digital marketing”. There are multiple positions open currently on the Northwest Screenwriters website and you can always join in on volunteer meetings as well. The contributors at the Northwest Screenwriters guild believe that “every screenplay is a single person away from becoming a viable film or TV project, NWSG volunteers function on the social edge of the organization”.
Another option is to become a member of the Northwest Screenwriters Guild. This yearly contribution gains you access to educational workshops, script readings, and NWSG affiliated networking opportunities. As well as allows you to submit a screenplay to the Compendium Committee, who help young screenwriters gain access to the recourses needed to help create your movie. The NWSG membership helps you take that next step into making your next project.
Northwest Screenwriters Guild Finds New Methods To Help Young Filmmakers, 2019.
Northwest Screenwriters Guild Mission Statement –
The mission of the Northwest Screenwriters Guild is to promote professional screenwriting as a career across a broad range of ages, ethnic and gender identities, and experience levels in the Pacific Northwest, by providing access to industry professionals, educational programs, and mentoring.
Contact Information – The Northwest Screenwriters Guild can be contacted directly on its website linked here. There are no in-person meetings being taken place. All conversations and events will be held online for the foreseeable future.
Kirkland, WA. Kirkland Performance Center has launched KPC At Home: Livestreams, a series of ongoing performances from local artists streamed free for the public. KPC will stream weekly performances from 30+ local artists through the rest of the year and going into 2021. All of these streams are free to the public and can be viewed on KPC’s Facebook, YouTube, and Twitch. More information on KPC At Home: Livestreams is available on KPC’s website.
Kirkland Performance Center’s marquee prior to COVID-19
Kirkland Performance Center has operated since 1998 and each year over 85,000 people attend shows and events at its theater. Being a 400-seat theater, KPC typically books about 250 shows of wide variety each year, including comedy shows, musical performances, graduations, and diverse cultural expressions from all around the world. Executive Director Jeff Lockhart says that KPC’s mission is to be a “gathering space for people to come together as a community connected by culture.” KPC aims to be more than just a site for entertainers, but a place for connectors who seek to bring people together through creative expression.
Eastside Community Musical’s production of Mamma Mia! at KPC before the COVID-19 pandemic
When the COVID-19 pandemic hit the U.S., Kirkland was one of the first cities in America to suffer a significant outbreak. Thus, Lockhart shares that Kirkland Performance Center shut down in early March and “completely put the brakes on everything” as “safety is paramount” to the organization. Nearly half of KPC’s Curated Presenter season was canceled and the organization put a pause on its plans before deciding how to move forward. Ultimately, Lockhart and the rest of the KPC team realized that “just because the stage is postponed, doesn’t mean [KPC’s] mission is postponed.”
KPC rebranded as “KPC At Home” and launched several ongoing programs to connect with the Kirkland community virtually. These include “Throwback Thursdays,” in which KPC shares videos of past performances and “Staff Picks,” in which KPC staff members create music playlists for the public to listen to on the organization’s Spotify channel.
However, KPC’s livestreams have gained the most traction in the last few weeks. KPC has collaborated with various artists, including Stephanie Ann Johnson, Erin Rae & The Heartbeets, and Geoffrey Castle, to stream performances from artists’ homes and the KPC theater. Many of these streams receive upwards of 1,000 views. Future livestreams will include artists such as Drew Martin, DownNorth, Lucien LaMotte, and many more. In August, KPC will partner with artist Alec Shaw and chefs and wine tasters from The Heathman Hotel in Kirkland. Chefs and wine tasters from The Heathman will pair food and wine with each of Shaw’s songs. The public can order paired food and wine and enjoy a culinary experience paired with music in their homes.
Geoffrey Castle performing at Kirkland Performance Center
Lockhart hopes that Kirkland Performance Center’s new offerings allow the organization to dive into “a whole new line of expression.” In addition to livestreams, KPC is looking into launching a lecture and book series program and music lessons for children in the fall. KPC recognizes that streaming is a great platform for up and coming artists and the organization wishes to utilize it to share more art with the community and connect people through culture. Moving forward, Lockhart and the rest of the KPC team wish to “be there for the community” and use art as a way to “hope, inspire, and help people be better people” throughout the COVID-19 pandemic.
From Kirkland Performance Center:
People may view KPC’s livestream performances on Facebook, YouTube, and Twitch, as well as access them through KPC’s website. People may also donate to KPC through their website, by contributing one-time or recurring gifts. Lockhart shares that even a recurring gift of $5.00 a month “goes a long way” and is “profoundly appreciated” as the organization is “living on donations” at the moment.
KPC provides a gathering place where people come together to express themselves creatively, exchange ideas, share culture, and connect with one another.
Seattle, WA. Seattle Arts and Lectures is launching its new season of literary events and providing online access to the public. Throughout next season, Seattle Arts and Lectures have 20 events booked, and all will go on whether they take place in-person or online. There are several subscription options available to the public to view these events. People may choose the “Create Your Own Series” option and choose four literary events to view. Or people may select the “Super SAL” option which provides access to 15 events of their choosing. Either subscription option will provide digital access to all events selected. More information about pricing and event options are available on SAL’s website.
Check out this video revealing SAL’s 2020-21 season of literary events:
Seattle Arts and Lectures is a literary arts organization that has presented the public with talks from various writers, poets, and scholars in large lecture and classroom settings for over 30 years. Associate Director Rebecca Hoogs says that when the COVID-19 pandemic hit Seattle, SAL “quickly shifted events and teachings online.” Authors who were booked to speak in the spring recorded their talks and readings from their homes and SAL packaged and produced them for people to view online. Despite the change in formatting, Hoogs says that many viewers “appreciated the intimacy of the events” as it “felt like they were sitting and talking with the authors.” Hoogs shares that the “direct connection” viewers felt with authors was a “silver lining” for audiences despite the change in event formatting.
Moving forward, even if events happen in person next year, Seattle Arts and Lectures will still offer livestreams for people who feel more comfortable viewing talks online. Hoogs suggests that it will likely take time for people to feel comfortable sitting in large lectures again, so providing livestreams will allow SAL the opportunity to expand its audience and provide widespread access to its talks.
Photo from a pre-pandemic literary event from Seattle Arts and Lectures at Benaroya Hall
In addition to its upcoming literary events, Seattle Arts and Lectures has announced its 2020-21 Seattle Youth Poet Laureate: Bitaniya Giday, a first-generation Ethiopian American poet who explores the “nuances of womanhood and blackness” through her work. The Seattle Youth Poet Laureate Program annually selects a young writer dedicated to poetry, social justice, and community engagement. Laureates gain various opportunities to share their voices, work among a cohort of poets in workshops, and even publish their work with Poetry Northwest Editions.
SAL’S 2020-21 Youth Poet Laureate Bitaniya Giday
Watch Giday read her work “Hyphenated Identity Crisis” here:
Seattle Arts and Lectures also connects with young people through its Writers in the Schools program. Through WITS, SAL connects professional writers and public-school students around the Puget Sound region. According to SAL’s website, WITS teaches students how to develop “authentic writing and performance voices” and “become authors of their lives.” Currently, SAL is working with teachers in the WITS program to plan how they will adapt their programming for the fall. Hoogs projects that the program will be conducted “either entirely or partially digitally.” Hoogs shares that due to the uncertainties underlying the global pandemic, it is especially “important to provide teachers and students with art right now” as a source of expression and storytelling.
WITS writer and YPL mentor Arianne True at a free online reading with SAL from July 10
Through its online lectures and various youth programs, Hoogs shares that Seattle Arts and Lectures will continue to “inspire people to read and think and be connected to writing and writers.”
From Seattle Arts and Lectures:
To support Seattle Arts and Lectures people can subscribe to different event packages, as well as purchase tickets to individual events. SAL emphasizes that there will be a digital component available for everyone, as well as flexibility for those who need to change their tickets or need refunds. Donations are always accepted, especially for SAL’s Writers in the Schools program.
Seattle Arts & Lectures champions the literary arts by engaging and inspiring readers and writers of all generations in the greater Puget Sound region.
Seattle, Wa. Like many other businesses being affected by COVID-19 the Seattle Art Museum (SAM) has had to make adjustments when it comes to showcasing exhibits to the public. For the past two months, the Seattle Art Museum has implemented a new way to experience its various art pieces and themes. “Stay Home With SAM” a new addition to its website which is explained as a chance to “share art activities for all ages, videos, interviews, art news, and more to keep you connected to art.” This page allows the public to learn about new exhibits coming soon as well as behind the scene interviews with the artists.
Preview for Barbara Earl Thomas and her new exhibition opening in November.
This new collection according to Barbara Earl Thomas is “a new body of work admits the turmoil and crises of the past year.” Thomas also goes on to say, “it is the chaos of living and the grief of our time that compels me, philosophically, emotionally and artistically. I am a witness and a chronicler.” This upcoming event will be displayed in November.
Artist in Residence Kimberly Deriana’s Project: Photo by Jen Au.
Seattle Art Museum Mission Statement:
Interviews and behind the scene videos are only a portion of what SAMBlogs has to offer. The Seattle Art Museum has online video tours as well as interactive guides to help create your own art. This is all to “connect art to life while we are closed”. If you would like to donate this link will bring you to the SAM fund. A place to donate and be apart of the SAM community.
SAM has been the center for world-class visual arts in the Pacific Northwest since 1933. Visit SAM to see a museum carved into the city, as much a part of Seattle’s landscape and personality as the coffee, rain, mountains, Pike Place Market, and the Space Needle.
Seattle Art Museum Location Contact Information:1300 FIRST AVE, SEATTLE, WA 98101
Seattle, WA. Seattle Dance Collective’s new project Continuum: Bridging the Distance will broadcast digitally to the public for five weeks. Continuum includes five works of art performed by Seattle Dance Collective members, filmed by Seattle-based filmmaker Henry Wurtz. New work will premiere each week beginning July 2 until July 30. Each work will be accompanied by a behind-the-scenes video citing the challenges and discoveries artists uncovered while creating art during a pandemic. Continuum: Bridging the Distance can be viewed on SDC’s website and Facebook page. Seattle Dance Collective will also provide online classes throughout the series, taught by artists involved in each week’s newly released work. There will be classes for dancers of varying skill levels, and all are free to the public.
Elle Macy and Dylan Ward in Home by Penny Saunders. Photo by Henry Wurtz
Since COVID-19 hit Seattle, co-founder and artistic director of Seattle Dance Collective Noelani Pantastico says “it was clear that [SDC] had to cancel [its] summer program” and re-imagine how to create art “under the constraints of social distancing.” Due to the absence of live audiences, Seattle Dance Collective “had to think very differently about how to bring artists together” and “engage audiences in a brand-new way.” Ultimately, Seattle Dance Collective “shifted [its] artist workshops online” and collaborated with colleagues to conceive Continuum: Bridging the Distance. Pantastico shares that “capturing SDC’s work on film and sharing it online has added an exciting element to [its] offerings.”
Founding Artistic Directors Noelani Pantastico and James Yoichi Moore. Photo by Lindsay Thomas
Pantastico and fellow SDC co-founder and artistic director James Yoichi Moore have been pushed to “learn new sets of skills.” Specifically, giving artistic feedback while reviewing and editing dance footage is a “new territory” for the artistic directors. Pantastico says that “responding to filmed product” differs greatly from the typical rehearsal process of communicating with dancers in real-time. Additionally, the artistic directors must give opinions on additional factors of the work aside from the dancers’ performances, including light, opacity, music, and film editing to ensure the “dance and dancers shine more.”
Amanda Morgan in Musings by Amanda Morgan. Photo by Henry Wurtz
Moore shares that Seattle Dance Collective’s “artists have also been stretched during this unconventional process,” as “creating dance for film is different in many ways from the traditional theater production.” Moore states that “dance is an art form that demands physicality and close contact,” so Seattle Dance Collective’s “choreographers had to completely adjust their method and figure out how to successfully develop and rehearse a new piece remotely via video call, rather than in the studio.” There are also added elements choreographers must consider in their creation process, including “taking advantage of close-ups and multiple camera angles.”
Lucien Postlewaite in A Headlamp or Two by Beth Tellwilleger. Photo by Henry Wurtz.
Dancers also had to adapt to rehearsing in the confines of their home and many of them had to rehearse in separate spaces, away from one another. Moore states that “in some cases, dancers were only able to experience the full breadth of movement when on location for the first time, before filming.” SDC’s filmmaker also learned to work in an “entirely new way” as he needed to “conceptualize camera work with very limited on-location rehearsal time.”
Leah Terada and Myles Pertl in The Only Thing You See Now by SeaPertls
Moore says that Seattle Dance Collective has always believed that “dance is a vital form of storytelling and emotional expression.” For this reason, “being able to offer artists the opportunity to continue practicing their art… when most artists have suddenly found themselves unemployed, is not only extremely rewarding” for SDC, but “crucial for the continued development of the arts.” Moore says that “people need art more than ever, and it is [Seattle Dance Collective’s] responsibility to put it out there”
From Seattle Dance Collective:
To support Seattle Dance Collective, people are encouraged to visit the organization’s website to “watch new films, register for classes, and share broadly.” Seattle Dance Collective relies on the generosity of supporters to “continue creating meaningful art” so any donation is “appreciated and essential to [SDC’s] future.”
Seattle Dance Collective is dedicated to nurturing collaboration between dancers and choreographers and introducing audiences to transformative programs of artistic excellence. SDC was founded in 2019 by Noelani Pantastico and James Yoichi Moore and made its debut that summer with four sold-out performances at Vashon Center for the Arts.
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