Seattle, WA. Museum director Sylvia Wolf says the Henry Art Gallery still has a lot to offer during the COVID-19 pandemic. The museum on the University of Washington campus has shifted many of its offerings to a virtual format through #HenryAtHome. Sylvia Wolf, says #HenryAtHome is a “suite of digital offerings to stay connected to contemporary art and ideas.”
Sadie Barnettes 2019 “Room To Live” is a mixed media installation with holographic vinyl sofa, metal flake TV, archival inkjet prints, and metal flake security cameras. Photo credit, Mark Woods.
Through Instagram, Facebook, and Twitter, the Henry is giving the public “insights into artwork, interviews with artists, stories about objects in [the Henry’s] collection, and ways to make art at home.” The Henry’s website features a variety of online presentations, including works from its collection and in-depth information on its exhibitions. The Henry Art Gallery has moved ArtVentures, a free art-making workshop for intergenerational groups, online. The Henry’s In Plain Sight film series, created in collaboration with Northwest Film Forum, has found a new home online as well. Watch the video below to hear more about artist Oscar Tuazon’s contributions to the Henry’s In Plain Sight exhibition.
The Henry Art Gallery closed its doors on March 10th when COVID-19 cases began increasing in Seattle. Since the organization’s closure, the Henry’s staff has been working remotely, except for essential personnel working onsite to ensure the safety of the Henry’s building and the art within it. Wolf says that moving to remote work was “a fast pivot,” but “one that staff responded to with grace, flexibility, and inventiveness.”
Wolf, whose title includes a nod to donor John S. Behnke, says that the online programming featured in #HenryAtHome has “generated an extraordinary amount of interest from people around the world.” Specifically, the Henry’s Re/frame program has transitioned to an online format and drawn in global attention. Re/frame is a recurring program in which items from the Henry’s collection are brought under one theme and presented to the public to view. According to Wolf, the widespread interaction that Re/frame sparked has “encouraged broader conversations and deepened engagement with the works and how they relate to today’s times.” In response to this feedback, Wolf says that the Henry’s staff hopes “to offer this and other programs onsite and digitally as [they] go forward.”
Beatriz Cortez’ work for the exhibition, In Plain Sight. Photo by Mark Woods.
In response to the Black Lives Matter movement transpiring throughout America, Wolf says that the Henry Art Gallery “stand[s] in solidarity with Black and brown artists, colleagues, and community members.” Moving forward, Wolf says the Henry will “deepen [its] commitment to confronting overt and systemic racism.” The Henry will also “actively support the shifting of power from those who have benefited from structures of racism to those that have been oppressed by the cultural climate and practices within the art world, and by institutional racism in general.”
william cordova’s work for the exhibition In Plain Sight. Photo by Johnathan Vanderweit.
Within the Henry Art Gallery, Wolf says that staff is “taking time to listen and reflect on what [they] can do to become a more anti-racist organization.” This means looking closely at how systemic racism plays out within their organization, taking steps to create structural and systemic change, and diversifying staff, management, and board governance to represent the greater-Seattle region. The Henry Art Gallery will also continue “diversify[ing] programming to amplify the voices and views of many, and to celebrate art in a broad variety of forms.” To learn more about the Henry Art Gallery’s commitment to racial equity, people may read its full Pledge to Racial Justice here.
Hayv Kahraman’s work for the exhibition, In Plain Sight. Photo by Mark Woods.
Wolf recognizes that “art has the power to incite, challenge, heal, and to imagine new possibilities.” Thus, Wolf shares that the Henry is “encouraged by the response to [its] programming” and that the organization “look[s] forward to continuing a multitude of offerings.”
From the Henry Art Gallery:
To support the Henry Art Gallery, people are welcome to follow the organization on Instagram, Facebook, and Twitter, subscribe to its YouTube channel and sign up for its e-newsletter to hear updates on the Henry’s latest content and programming. People may also support Henry’s efforts to build future programs and partnerships by becoming a member, which helps the Henry make free art content for the public.
The Henry is internationally recognized for bold and challenging exhibitions, for pushing the boundaries of contemporary art and culture, and for being the first to premiere new works by established and emerging artists. Through individual experiences with art, we inspire visitors to upend their expectations and discover surprising connections.
Seattle, Wa. The Pacific Science Center continues to connect with the Seattle-are community by hosting in-person science camps for kids K-8. COVID-19 adaptations include limiting the number of kids in the classroom as well as maintaining social distancing. The in-person summers camps continue through August as do virtual camps that kids enjoy online. Virtual camps for Curious Minds are “hands-on experiences this summer from the comfort of your home”. This multiple-week event allows children to explore “different activities and experiments around a theme, as well as ways to connect with other campers in this new, digital way. Group sizes are kept small and led by two virtual counselors so that experiences are interactive and engaging”. There is still time to sign up for the camps which run through August 28th. The camps are listed here.
A preview for Camps for Curious Minds hosted by Pacific Science Center.
For non-camp related events, there’s also a program called Curiosity at Home. This is an online virtual classroom that is “curating science learning materials for kids and families! Check back often for new content to inspire learners of all ages”. This webpage has many options for children and parents to explore and learn various topics being taught at the Pacific Science Center. An activity included is utilizing the video game Minecraft that allows a user to explore various planets and materials found inside this virtual world. For an interactive approach to exploring more, there are also virtual events and live-streams. These can be found on Facebook and YouTube Live. This virtual classroom allows children to “join us and meet some of our animals, caretakers, educators, and scientists in the community, as well as try fun at-home experiments”. There are new live shows being published on YouTube every week. Going over various topics in STEM and exploring other sciences and their properties in 20-30 minute videos.
Staying Safe and Curious during the Curiosity Summer Camp -2020.
The Pacific Science Center is also providing links to talk about more serious subjects with children and families. Such as “Talking to Kids about Race and Racism” where Pacific Science Center gives resources that help make understanding of such a hard but necessary topic. Other resources given explain the celebration of Juneteenth as well as many other subjects based on race. There are also documentary suggestions to help explain climate change and how it affects our environment around us. For parents, there are educator’s guides to help coach children through various subjects. The Pacific Science Center’s goal is to help people understand the “Science is for everyone. We believe that curiosity and critical thinking are essential to equity and justice for all. We embrace science as a process of inquiry, discovery, and problem-solving that helps us better understand our universe and each other. Science has the power to connect people and to develop solutions for the common good”.
Experimenting with Ooze at the Curiosity Summer Camp -2020,
Pacific Science Center Mission Statement:
Pacific Science Center ignites curiosity in every child and fuels a passion for discovery, experimentation, and critical thinking in all of us.
Pacific Science Center Location and Contact Information:
Pacific Science Center 200 Second Avenue North, Seattle, Washington 98109
Seattle, WA. Despite the challenges involved with social distancing requirements and remote learning, Page Ahead, a program dedicated to closing the literacy achievement gap experienced by at-risk children, was able to provide over 145 thousand books to kids in Washington this summer. “It was super important and extra challenging,” says Rebecca Brinbury, Page Ahead’s Development Manager.
Students receiving books
Book Up Summer, Page Ahead’s flagship program helps prevent summer reading loss, the decline in reading development that occurs when children are away from school. Research shows that summer reading loss has a more significant impact on lower-income students, largely because they have limited access to reading material. In a typical year, Book Up Summer allows students to choose twelve books each to bring home from school book fairs in the spring. This year, with schools and libraries closed, it was more important than ever that kids have books at home, but there were barriers at every step of the process.
With book fairs no longer running in schools, Page Ahead provided web portals and paper packets for children to select books from during remote learning. According to Page Ahead, the trick to “making” kids read is allowing them to choose books that they are interested in, so it was important that kids were still able to select their own books during the COVID-19 crisis.
After the books were selected, Page Ahead staff worked to coordinate the book shipments and deliveries. With many retailers closed, Page Ahead staff had to find substitutions for books that were out of stock.
In the end, Page Ahead was able to deliver over 145 thousand books. Brinbury emphasizes that Page Ahead is a four-person organization and that they would not have been able to deliver the books, were it not for the help of “some really amazing volunteers who wore masks and gloves, socially distanced, and were able to get thirty thousand books packed.” “With everything going on people really wanted to help,” says Brinbury. Many volunteers delivered books to Page Ahead’s partner schools themselves, and when students couldn’t make it to school to pick up their books, volunteers brought the books directly to them.
Now that Page Ahead has a model for providing Book Up Summer remotely, Brinbury says they are prepared for the possibility of running the program remotely again next Spring.
From Page Ahead:
Literacy can make the difference between the poverty of one generation and the promise of the next. Page Ahead helps children realize their potential by providing them with the inspiration to read.
Seattle, Wa. The Northwest Screenwriters Guild has moved its weekly scene analysis meetup to online only. This due to COVID-19 and its deterrent to be in large groups. Screenwriters used to sit side-by-side (above) but now instead of meeting in person at College Inn Pub, everything now can be found online. This event is held online doesn’t take away from the main focus in these meetings. “First and foremost, to assist fellow screenwriters hone the craft of writing scenes- both action and dialogue”. Normally people would bring in their working scripts and there would be a mass table read as well as critiques at the end. The only difference is not being in person, luckily the benefits are all there.” A chance to hear portions of your work read( by real people, not the final draft robot), as well as receive suggestions to improve the material”. There is no cost or additional fees to join, as well as no restrictions on your current skill level. The next analysis meetup will be held online on August 5th from 6:30 pm to 8:30 pm.
This vintage image shows how Northwest Screenwriters used to have table readings before COVID-19.
If screenwriting isn’t your passion you can also volunteer with the Northwest Screenwriters Guild. With various areas of need such as “event coordinators, fundraising and people to help with digital marketing”. There are multiple positions open currently on the Northwest Screenwriters website and you can always join in on volunteer meetings as well. The contributors at the Northwest Screenwriters guild believe that “every screenplay is a single person away from becoming a viable film or TV project, NWSG volunteers function on the social edge of the organization”.
Another option is to become a member of the Northwest Screenwriters Guild. This yearly contribution gains you access to educational workshops, script readings, and NWSG affiliated networking opportunities. As well as allows you to submit a screenplay to the Compendium Committee, who help young screenwriters gain access to the recourses needed to help create your movie. The NWSG membership helps you take that next step into making your next project.
Northwest Screenwriters Guild Finds New Methods To Help Young Filmmakers, 2019.
Northwest Screenwriters Guild Mission Statement –
The mission of the Northwest Screenwriters Guild is to promote professional screenwriting as a career across a broad range of ages, ethnic and gender identities, and experience levels in the Pacific Northwest, by providing access to industry professionals, educational programs, and mentoring.
Contact Information – The Northwest Screenwriters Guild can be contacted directly on its website linked here. There are no in-person meetings being taken place. All conversations and events will be held online for the foreseeable future.
Kirkland, WA. Kirkland Performance Center has launched KPC At Home: Livestreams, a series of ongoing performances from local artists streamed free for the public. KPC will stream weekly performances from 30+ local artists through the rest of the year and going into 2021. All of these streams are free to the public and can be viewed on KPC’s Facebook, YouTube, and Twitch. More information on KPC At Home: Livestreams is available on KPC’s website.
Kirkland Performance Center’s marquee prior to COVID-19
Kirkland Performance Center has operated since 1998 and each year over 85,000 people attend shows and events at its theater. Being a 400-seat theater, KPC typically books about 250 shows of wide variety each year, including comedy shows, musical performances, graduations, and diverse cultural expressions from all around the world. Executive Director Jeff Lockhart says that KPC’s mission is to be a “gathering space for people to come together as a community connected by culture.” KPC aims to be more than just a site for entertainers, but a place for connectors who seek to bring people together through creative expression.
Eastside Community Musical’s production of Mamma Mia! at KPC before the COVID-19 pandemic
When the COVID-19 pandemic hit the U.S., Kirkland was one of the first cities in America to suffer a significant outbreak. Thus, Lockhart shares that Kirkland Performance Center shut down in early March and “completely put the brakes on everything” as “safety is paramount” to the organization. Nearly half of KPC’s Curated Presenter season was canceled and the organization put a pause on its plans before deciding how to move forward. Ultimately, Lockhart and the rest of the KPC team realized that “just because the stage is postponed, doesn’t mean [KPC’s] mission is postponed.”
KPC rebranded as “KPC At Home” and launched several ongoing programs to connect with the Kirkland community virtually. These include “Throwback Thursdays,” in which KPC shares videos of past performances and “Staff Picks,” in which KPC staff members create music playlists for the public to listen to on the organization’s Spotify channel.
However, KPC’s livestreams have gained the most traction in the last few weeks. KPC has collaborated with various artists, including Stephanie Ann Johnson, Erin Rae & The Heartbeets, and Geoffrey Castle, to stream performances from artists’ homes and the KPC theater. Many of these streams receive upwards of 1,000 views. Future livestreams will include artists such as Drew Martin, DownNorth, Lucien LaMotte, and many more. In August, KPC will partner with artist Alec Shaw and chefs and wine tasters from The Heathman Hotel in Kirkland. Chefs and wine tasters from The Heathman will pair food and wine with each of Shaw’s songs. The public can order paired food and wine and enjoy a culinary experience paired with music in their homes.
Geoffrey Castle performing at Kirkland Performance Center
Lockhart hopes that Kirkland Performance Center’s new offerings allow the organization to dive into “a whole new line of expression.” In addition to livestreams, KPC is looking into launching a lecture and book series program and music lessons for children in the fall. KPC recognizes that streaming is a great platform for up and coming artists and the organization wishes to utilize it to share more art with the community and connect people through culture. Moving forward, Lockhart and the rest of the KPC team wish to “be there for the community” and use art as a way to “hope, inspire, and help people be better people” throughout the COVID-19 pandemic.
From Kirkland Performance Center:
People may view KPC’s livestream performances on Facebook, YouTube, and Twitch, as well as access them through KPC’s website. People may also donate to KPC through their website, by contributing one-time or recurring gifts. Lockhart shares that even a recurring gift of $5.00 a month “goes a long way” and is “profoundly appreciated” as the organization is “living on donations” at the moment.
KPC provides a gathering place where people come together to express themselves creatively, exchange ideas, share culture, and connect with one another.
Seattle, WA. Seattle Arts and Lectures is launching its new season of literary events and providing online access to the public. Throughout next season, Seattle Arts and Lectures have 20 events booked, and all will go on whether they take place in-person or online. There are several subscription options available to the public to view these events. People may choose the “Create Your Own Series” option and choose four literary events to view. Or people may select the “Super SAL” option which provides access to 15 events of their choosing. Either subscription option will provide digital access to all events selected. More information about pricing and event options are available on SAL’s website.
Check out this video revealing SAL’s 2020-21 season of literary events:
Seattle Arts and Lectures is a literary arts organization that has presented the public with talks from various writers, poets, and scholars in large lecture and classroom settings for over 30 years. Associate Director Rebecca Hoogs says that when the COVID-19 pandemic hit Seattle, SAL “quickly shifted events and teachings online.” Authors who were booked to speak in the spring recorded their talks and readings from their homes and SAL packaged and produced them for people to view online. Despite the change in formatting, Hoogs says that many viewers “appreciated the intimacy of the events” as it “felt like they were sitting and talking with the authors.” Hoogs shares that the “direct connection” viewers felt with authors was a “silver lining” for audiences despite the change in event formatting.
Moving forward, even if events happen in person next year, Seattle Arts and Lectures will still offer livestreams for people who feel more comfortable viewing talks online. Hoogs suggests that it will likely take time for people to feel comfortable sitting in large lectures again, so providing livestreams will allow SAL the opportunity to expand its audience and provide widespread access to its talks.
Photo from a pre-pandemic literary event from Seattle Arts and Lectures at Benaroya Hall
In addition to its upcoming literary events, Seattle Arts and Lectures has announced its 2020-21 Seattle Youth Poet Laureate: Bitaniya Giday, a first-generation Ethiopian American poet who explores the “nuances of womanhood and blackness” through her work. The Seattle Youth Poet Laureate Program annually selects a young writer dedicated to poetry, social justice, and community engagement. Laureates gain various opportunities to share their voices, work among a cohort of poets in workshops, and even publish their work with Poetry Northwest Editions.
SAL’S 2020-21 Youth Poet Laureate Bitaniya Giday
Watch Giday read her work “Hyphenated Identity Crisis” here:
Seattle Arts and Lectures also connects with young people through its Writers in the Schools program. Through WITS, SAL connects professional writers and public-school students around the Puget Sound region. According to SAL’s website, WITS teaches students how to develop “authentic writing and performance voices” and “become authors of their lives.” Currently, SAL is working with teachers in the WITS program to plan how they will adapt their programming for the fall. Hoogs projects that the program will be conducted “either entirely or partially digitally.” Hoogs shares that due to the uncertainties underlying the global pandemic, it is especially “important to provide teachers and students with art right now” as a source of expression and storytelling.
WITS writer and YPL mentor Arianne True at a free online reading with SAL from July 10
Through its online lectures and various youth programs, Hoogs shares that Seattle Arts and Lectures will continue to “inspire people to read and think and be connected to writing and writers.”
From Seattle Arts and Lectures:
To support Seattle Arts and Lectures people can subscribe to different event packages, as well as purchase tickets to individual events. SAL emphasizes that there will be a digital component available for everyone, as well as flexibility for those who need to change their tickets or need refunds. Donations are always accepted, especially for SAL’s Writers in the Schools program.
Seattle Arts & Lectures champions the literary arts by engaging and inspiring readers and writers of all generations in the greater Puget Sound region.
Seattle WA. Orca Conservancy is calling for legislative action in the wake of an incident in mid-July in which thirty boaters surrounded and harassed a pod of orcas in the Tacoma Narrows. “This level of this harassment is unacceptable and is why Orca Conservancy believes more actions need to be taken around vessel enforcement/regulations, and most importantly, education,” explained Orca Conservancy leaders. They’re urging the that when people are registering their boats they’re given more information on the marine life and what the be-whale-wise guidelines. Orca Conservancy urges its supporters, “reach out to your local representatives to demand more funding be put into place — not only to educate new boaters but to give our enforcement agencies additional manpower on the water.”
The National Oceanic and Atmospheric Administration’s Be Whale Wise webpage advises boaters and paddlers on marine laws and best practices for protecting marine wildlife. According to be-whale-wise guidelines, and Washington state law, boats must stay 300 yards from orcas on either side and 400 yards in front of and behind the whales. Boaters involved in last week’s incident were well within 300 meters of the pod.
Both Canada and the United States have Southern Resident orcas listed as endangered. As of June 2020, only 73 orcas remain. According to Orca Conservancy, the most critical threats facing the Southern Resident orcas of Pudget Sound are lack of food, toxins, and vessel noise, which hinders the orcas’ ability to use echolocation to forage for food.
Transient whale approaches vessel. All images via Tamara Kelley, Orca Conservancy Board Director
Tarantino also notes that the closure of whale-watching companies due to COVID-19 may contribute to increased pressure to view killer whales. According to Orca Conservancy, “the PWWA (Pacific Whale Watching Association) has been a leader in educating boaters and warning recreational vessels when to slow down for years. The PWWA is having a net positive effect when it comes to noise reduction, and are why go-slow zones are best when implemented properly.”
According to the PWWA’s webpage, the association’s local whale and wildlife viewing guidelines have become a model for international efforts to recover the orca whale population. “We’ve created no-boat foraging zones, minimized underwater noise with speed limits and sonar restrictions, and created clear corridors for Southern Resident orcas to travel,” says the PWWA.
From Orca Conservancy:
Orca Conservancy is committed to the recovery of the Southern Resident killer whale population and protecting the wild places on which it depends. Since 1996, we have worked tirelessly to recover the Southern Resident killer whale population throughout their habitat range using Science, Law, and Education.
Seattle, Wa. Like many other businesses being affected by COVID-19 the Seattle Art Museum (SAM) has had to make adjustments when it comes to showcasing exhibits to the public. For the past two months, the Seattle Art Museum has implemented a new way to experience its various art pieces and themes. “Stay Home With SAM” a new addition to its website which is explained as a chance to “share art activities for all ages, videos, interviews, art news, and more to keep you connected to art.” This page allows the public to learn about new exhibits coming soon as well as behind the scene interviews with the artists.
Preview for Barbara Earl Thomas and her new exhibition opening in November.
This new collection according to Barbara Earl Thomas is “a new body of work admits the turmoil and crises of the past year.” Thomas also goes on to say, “it is the chaos of living and the grief of our time that compels me, philosophically, emotionally and artistically. I am a witness and a chronicler.” This upcoming event will be displayed in November.
Artist in Residence Kimberly Deriana’s Project: Photo by Jen Au.
Seattle Art Museum Mission Statement:
Interviews and behind the scene videos are only a portion of what SAMBlogs has to offer. The Seattle Art Museum has online video tours as well as interactive guides to help create your own art. This is all to “connect art to life while we are closed”. If you would like to donate this link will bring you to the SAM fund. A place to donate and be apart of the SAM community.
SAM has been the center for world-class visual arts in the Pacific Northwest since 1933. Visit SAM to see a museum carved into the city, as much a part of Seattle’s landscape and personality as the coffee, rain, mountains, Pike Place Market, and the Space Needle.
Seattle Art Museum Location Contact Information:1300 FIRST AVE, SEATTLE, WA 98101
Seattle, WA. On the website, for the American Cancer Association, new guidelines include ideas on how to stay safe during the COVID-19 pandemic. The global pandemic of the coronavirus disease, called COVID-19, continues to have a serious impact on many people, including cancer patients, their families, and caregivers. State and local authorities, as well as health officials, continue to adjust their recommendations as the number of COVID-19 cases changes in different parts of the country.
Some cancer patients might be at increased risk of serious illness from an infection because their immune systems can be weakened by cancer and its treatments. Most people who were treated for cancer in the past (especially if it was years ago) are likely to have normal immune function, but each person is different. It’s important that all cancer patients and survivors, whether currently in treatment or not, talk with a doctor who understands their situation and medical history.
It’s also important that both patients and their caregivers take precautions to lower their risk of getting COVID-19. The US Centers for Disease Control and Prevention (CDC) has specific recommendations for people at risk for serious illness from COVID-19 infection.
While the situation continues to change, knowing some basic facts about what you can do to help protect yourself and others from getting sick can be very empowering.
The COVID-19 pandemic is still fairly new, and doctors are still learning about its possible risks for cancer patients. But they do have a lot of information regarding the risk of infections in general for cancer patients.
Avoiding being exposed to the virus that causes COVID-19 is especially important for cancer patients, who might be at higher risk for serious illness if they get infected. This is particularly true for patients who are getting chemotherapy or a stem cell (bone marrow) transplant because their immune systems can be severely weakened by the treatment.
The pandemic is also affecting the way many people get medical care, including patients with cancer. Depending on the COVID-19 situation where you live, this may mean a delay in having cancer surgery or care that’s meant to keep cancer from returning. Some people may need to reschedule appointments.
Cancer care teams are doing the best they can to deliver care to those most in need. However, even in these circumstances, it isn’t life as usual. It’s important to keep in contact with your cancer care team to determine the best course of action for you. This may involve talking to your care team virtually (online or over the phone) and not physically going to the clinic.
Many clinics and infusion centers have made changes to allow you to come in safely for an in-person visit as well as treatment. These might include screening for COVID-19 symptoms ahead of your visit, proper spacing of waiting room and infusion chairs, spacing out appointments to limit the number of people in the waiting room at one time, requiring people to wear a face cover, and cleaning all surfaces frequently. It’s important to know who to call to reach your cancer care team to find out how to proceed.
These circumstances will take some time to resolve, and even then, there will likely continue to be changed in the way cancer patients receive their treatment.
In the meantime, doctors need to learn more about cancer patients and COVID-19. Registries such as the COVID-19 and Cancer Consortium and studies such as the NCI COVID-19 in Cancer Patients Study are actively collecting data. Early studies from registries in the US and around the world have looked at outcomes for cancer patients who develop COVID-19 with symptoms, as well as if certain anti-cancer treatments change these outcomes. These initial study results are helpful, but it is very important to gather more data and analyze it over a longer time to better understand the effects of COVID-19 on current and former cancer patients. Contact your doctor if you are interested in participating in a registry or study.
How can I protect myself and others from getting COVID-19?
According to the CDC, there are things all of us can do to help lower the risk of being infected (and infecting others):
Wash your hands often with soap and water for at least 20 seconds because it’s one of the best ways to kill germs on your hands and prevent the spread of germs to others. If soap and water are not readily available, use an alcohol-based hand sanitizer with at least 60% alcohol.
Avoid touching your eyes, nose, and mouth with unwashed hands, because if you picked up the virus, you could infect yourself by allowing the virus to enter your body.
Avoid close contact – being within 6 feet (about 2 arms’ length) of people who don’t live in your household, and any people who are sick.
Cover your mouth and nose with a cloth face cover when around others. (See below for more details.)
Cover your cough or sneeze with a tissue, then throw the tissue in the trash, or cough or sneeze into your elbow. Then wash your hands right away.
Stay home (except to get medical care) if you are sick.
Clean and disinfect frequently touched surfaces daily using a regular household cleaning spray or wipe. Always read the directions of the products closely to make sure you are using them correctly. Cleaning and disinfecting products should not be used directly on skin, taken by mouth, or inhaled into the lungs, and bleach should not be used on food.
People with cancer who are getting infusions at the clinic or hospital should talk to their doctor about alternate treatments that might be available, like oral medicines or infusions at home.
It’s important to keep in mind that some people who are infected with the virus might not have symptoms, but they could still spread the virus to others. Because of this, it’s important that everyone follow the CDC’s recommendations on how to protect yourself and others.
Should I wear a face mask?
The CDC recommends that you wear a cloth face cover (something that covers your nose, mouth, and much of your face) or a face mask if you go out in public, especially in places where you might be close to other people.
The face cover is meant to help protect other people because you could spread the virus if you are infected and don’t have symptoms. At the same time, when someone else wears a face cover, it can protect you, too. Together, this can help slow the spread of COVID-19.
Many other authorities and businesses are also recommending face covers, and some are now requiring them.
It’s important to understand that wearing a face cover or mask is not a substitute for social distancing. It’s still very important to stay at least 6 feet away from others, even while wearing a face cover or mask, and to continue to wash your hands frequently.
Remember to wash your hands before putting on your face cover, to not touch your face while wearing the cover, and to wash your hands right after taking it off.
The CDC does not recommend that people in the general public wear surgical or N95 masks. These are in short supply in many areas and should be saved for healthcare workers who need them when caring for people who are sick. It is also best to check with your local authorities to see if your area has specific guidelines about wearing a face-covering in public.Are there different recommendations for cancer patients and caregivers?
The CDC does not have specific recommendations on masks for people who have or have had cancer and their caregivers. But for many people being treated for cancer, especially with treatments like chemotherapy or stem cell (bone marrow) transplants that can weaken the immune system, doctors often recommend patients wear a mask to help lower exposure to germs that might cause infections. If you’re not sure if you or your caregiver should be wearing a mask, contact your doctor or another member of your cancer care team.
What are the symptoms of COVID-19?
The most common symptoms of COVID-19, which may appear 2-14 days after being infected, are:
Fever
Cough
Shortness of breath
Chills
Muscle aches and pains
Sore throat
New loss of smell or taste
Feeling very tired
Headache
Diarrhea
Nausea or vomiting
Runny nose
Contact your doctor or local health department if you have any of these symptoms.
If you or the person you’re caring for has any of the following serious signs and symptoms of COVID-19, get medical attention right away:
Trouble breathing
Constant pain or heaviness in the chest
New confusion or being hard to wake up
Bluish lips or face
Some people with COVID-19 might have signs or symptoms of blood clots such as bluish toes (also referred to as “COVID toes”), swelling of the lower leg, chest pain, shortness of breath, or stroke symptoms (slurred speech, weakness or numbness of an arm or leg). The reasons for this are being still studied, but it’s important to tell your doctor right away if you are having any of these symptoms.
Children, in particular, might have fewer symptoms from COVID-19. However, there have been recent reports of children with symptoms such as a fever and rash similar to Kawasaki disease, as well as severe body inflammation, which might be related to the coronavirus. The CDC is keeping track of this syndrome, called multisystem inflammatory syndrome in children (MIS-C), to learn more about it and its relationship to the coronavirus infection.
It’s important to know that some people who are infected with the virus might not have symptoms, but they could still spread the virus to others. Because of this, it’s important that everyone follow the CDC’s recommendations on how to protect yourself and others.
From American Cancer Society:
The American Cancer Society was founded in 1913 by 10 doctors and 5 laypeople in New York City. It was called the American Society for the Control of Cancer (ASCC). At that time, a cancer diagnosis meant near-certain death. Rarely mentioned in public, this disease was steeped in fear and denial. Doctors sometimes did not tell their patients they had cancer, and patients often did not tell their friends and families that they had been diagnosed with it.
The Society’s founders knew they had to raise public awareness about cancer if progress was to be made against this disease. Despite the enormity of their task, our founders and their colleagues set about writing articles for popular magazines and professional journals; publishing Campaign Notes, a monthly bulletin of cancer information; and recruiting doctors throughout the country to help educate the public.
It was in these early years that the Society first used its now-iconic Sword of Hope symbol, which today is part of the organization’s logo. The sword came from a 1928 nationwide poster contest sponsored by the ASCC and the New York City Cancer Committee. George E. Durant of Brooklyn won the contest, receiving a first prize of $500. He selected the sword to express the crusading spirit of the cancer control movement. The twin-serpent caduceus, which forms the handle of the sword, emphasizes the medical and scientific nature of the Society’s work. Classically, twined serpents represent healing of the sick and creativity of the healthy.
Over the past 100 years, the logo has changed many times. The current American Cancer Society logo presents a contemporary, powerful, and cohesive entity. The trapezoidal shape with the angled edge suggests forward movement, aspiration, and growth. The overall design creates the image of a flag being carried forth toward victory. This symbol is intended to unite people in the common goal to save lives from cancer.
Seattle, WA. The Seattle Aquarium is open with timed ticketing and limited attendance, which means you’ll get up close to the animals and not other visitors. Seattle Aquarium staffers have worked closely with local health experts to provide a safe and fun experience.
There’s plenty of space to maintain distance as you stroll the wide sidewalk along Alaskan Way, taking in views of Elliott Bay and enjoying the sights and sounds of Seattle’s historic waterfront.
There are some changes you need to know about before visiting:
ONLINE TICKETS MUST BE RESERVED IN ADVANCE for all guests, whether you’re a first-time visitor or a long-time member.
YOUR TIMED TICKET indicates your arrival window. There is no limit to how long you can spend at the Aquarium.
FACE COVERINGS/MASKS ARE REQUIRED during your visit. Exemptions to this order include babies/toddlers under age 2; anyone with a disability that makes it hard for them to wear or remove a face covering; anyone who is deaf and moves their face and mouth to communicate; and anyone who has been advised by a medical professional to not wear a face-covering because of personal health issues.
A ONE-WAY PATHWAY with clear physical distance markers will guide you through the Aquarium and help protect everyone’s health.
Here’s a video with more information:
Opened in 1977, the Seattle Aquarium was owned and operated by the City of Seattle Department of Parks and Recreation until 2010, when the nonprofit Seattle Aquarium Society assumed its management—a model used by most leading zoos and aquariums across the country.
From the Seattle Aquarium: The Seattle Aquarium is one of Washington state’s leading environmental education and stewardship institutions, and the region’s gathering place for discussion and sharing information about marine conservation. It maintains a number of research initiatives in cooperation with federal, state, zoological and university partners. The Aquarium is located on Pier 59, at 1483 Alaskan Way.
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