Pacific Northwest Ballet Announces 2021-2022 Season of Live Performances

Pacific Northwest Ballet Announces 2021-2022 Season of Live Performances

Seattle, WA. The Pacific Northwest Ballet (PNB) is planning to have live onstage performances starting in September. The company is currently wrapping up a first-ever digital season. Elle Macy and Dylan Wald, (seen above) were featured in PNB’s digital offerings this season.

Artistic Director Peter Boal is announcing the line-up for 2021-2022 which includes the works of Alejandro Cerrudo and Twyla Tharp, PNB premieres by Alonzo King and  Justin Peck and a world premiere by Robyn Mineko Williams. Other highlights will be the return of classic story ballets Swan Lake and Roméo et Juliette, as well as works by Ulysses Dove, Jessica Lang, and Crystal Pite. (And George  Balanchine’s The Nutcracker®.)

PNB will continue to offer its digital subscription as well. During the past pandemic year the company’s offerings, like Curious Kingdom, seen above, were viewed by ballet fans in every state and 34 countries.

Full-season subscribers will have access to the digital season as part of their subscription.

PNB Box Office is now taking orders for subscription renewals and digital-season subscriptions. Click here for info. (New subscriptions, Nutcracker and season single tickets to go on sale later this summer.) 

Full-season subscriptions start at $190. 

Four-show partial-season subscriptions (February – June performances) start at $130. 

Digital season subscriptions available for $249. 

(Free with full-season season subscriptions; $150 with partial-season seated subscriptions.) September 2021 – June 2022,  Marion Oliver McCaw Hall, 321 Mercer Street at Seattle Center, Seattle, Washington

Below is a list of the 2021-22 offerings From PNB:

PACIFIC NORTHWEST BALLET’S 2021-22 SEASON LINE-UP (Programming and schedule subject to change.) 

Rep 1 – SINGULARLY CERRUDO 

September 24 – 26, 2021 

The creative power of PNB’s Resident Choreographer Alejandro Cerrudo is on full display in this triple bill. Breathe in  the moving tranquility of Silent Ghost, take a tantalizing look at spectacular teamwork in an excerpt from One  Thousand Pieces, and journey through the unexpected twists and turns of Little mortal jump.

Silent Ghost 

Music: Dustin Hamman, King Creosote & Jon Hopkins, Ólafur Arnalds, Nils Frahm 

Choreography: Alejandro Cerrudo 

One Thousand Pieces (Excerpt) 

Music: Philip Glass 

Choreography: Alejandro Cerrudo 

Little mortal jump 

Music: Beirut, Andrew Bird’s Bowl of Fire, Alexandre Desplat, Philip Glass, Hans Otte, Max Richter, Tom  Waits and Kathleen Brennan 

Choreography: Alejandro Cerrudo 

Rep 2 – BEYOND BALLET 

November 5 – 7, 2021 

Three unique voices of three internationally-acclaimed choreographers: the combination of Ulysses Dove’s mournful  Dancing on the Front Porch of Heaven, Jessica Lang’s haunting Ghost Variations, and the PNB premiere of Alonzo  King’s The Personal Element promises unmatched emotion, expression, and musicality. 

Dancing on the Front Porch of Heaven 

Music: Arvo Pärt 

Choreography: Ulysses Dove 

Ghost Variations 

Music: Clara Schumann and Robert Schumann 

Choreography: Jessica Lang 

The Personal Element (PNB Premiere

Music: Jason Moran 

Choreography: Alonzo King 

George Balanchine’s The Nutcracker® 

November 20 – December 28, 2021 (NOTE: Not part of the 2021-22 Subscription season.) 

Celebrate the holidays with renewed gusto! With its classic score, thrilling dancing, resplendent costumes, and  magical scenery, George Balanchine’s The Nutcracker®is the perfect centerpiece for any holiday celebration.  Cheers! 

Music: Peter Ilyich Tchaikovsky 

Choreography: George Balanchine © The George Balanchine Trust 

Costume & Scenic Design: Ian Falconer 

Roméo et Juliette 

February 4 – 13, 2022 

Presented during PNB’s 2020-21 digital season, but nothing compares to the in-person experience: Jean-Christophe  Maillot’s Roméo et Juliette will sweep audiences to Verona through powerful choreography, Prokofiev’s rich score,  the flush of first love, and the drama of Shakespeare’s classic story. 

Music: Sergei Prokofiev 

Choreography: Jean-Christophe Maillot

Rep 4 – PLOT POINTS 

March 18 – 27, 2022 

Bold experimentation is the theme for this set of trailblazing pieces. PNB audiences will remember the power of  Crystal Pite’s Plot Point; the arresting complexity of Justin Peck’s The Times Are Racing and a world premiere by  Robin Mineko Williams (The Trees The Trees) are sure to make a similar impression. 

The Times Are Racing (PNB Premiere

Music: Dan Deacon 

Choreography: Justin Peck 

World Premiere 

Choreography: Robin Mineko Williams 

Plot Point 

Music: Bernard Herrmann 

Choreography: Crystal Pite 

Beauty and the Beast 

March 20 – 27, 2022 (NOTE: Not part of the 2021-22 Subscription season.) 

Featuring students of Pacific Northwest Ballet School. 

Based on the beloved fairy tale, this narrated, one-hour performance is the perfect introduction to ballet for young  theatre-goers. Performed by the accomplished students of PNB School, Bruce Wells’ Beauty and the Beast will take  the audience on a journey to a magical world of adventure, unlikely friendships, and true love. 

Music: Léo Delibes 

Concept and Choreography: Bruce Wells 

Swan Lake 

April 15 – 24, 2022 

PNB’s return to the stage wouldn’t be complete without Swan Lake. Every element of this production is carefully  crafted to keep the audience on the edge of their seat, from the masterful choreography, to the stunning sets and  costumes, to the undeniably iconic score. And most captivating of all: the story at the ballet’s heart – a classic tale of  good versus evil, temptation, tragedy, and love of the highest order. 

Music: Peter Ilyich Tchaikovsky 

Choreography: Kent Stowell 

Staging: Francia Russell (after Petipa and Ivanov) 

REP 6 – ALL THARP 

June 3 – 12, 2022 

PNB’s final rep of the season is all about the legendary dancer, director, and choreographer Twyla Tharp. From the  echo of her own Quaker roots in Sweet Fields, to the haunting Scottish clan in Brief Fling, to the all-out joy of New  Orleans that runs through Waiting at the Station, Tharp draws inspiration from around the globe and yet her style  remains quintessentially her own. 

Brief Fling 

Music: Michel Colombier and Percy Grainger 

Choreography: Twyla Tharp 

Sweet Fields (PNB Premiere

Music: 18th- and 19th-century American hymns and Shaker songs 

Choreography: Twyla Tharp 

Waiting at the Station 

Music: Allen Toussaint 

Choreography: Twyla Tharp

SUBSCRIPTION INFORMATION 

The Pacific Northwest Ballet Box Office is now taking orders for subscription renewals and digital-season subscriptions to PNB’s 2021-22 season. Full-season [seated] subscriptions start at $190 for seats to all six programs. Four-show partial-season subscriptions, with seats to the February – June performances, start at $130. 

Full-season subscriptions include access to six digital performances as well. Partial-season subscribers may purchase digital access for $150. A digital-only subscription is available for $249. 

Subscribers should be receiving detailed renewal information via email, and may contact the PNB Box Office by calling 206.441.2424 or online at PNB.org. 

New subscriptions and single tickets to season performances as well as tickets to George Balanchine’s The  Nutcracker will be available for purchase from the PNB Box Office beginning later this summer, date TBA

  1. A. Q.s

What safety protocols will be in place at McCaw Hall? 

The 2021/22 season will be our first in-person season since the COVID pandemic began. The safety of our artists,  audiences, and staff is our first priority. This far in advance, it is difficult to predict exactly what safety procedures may look like over the course of the next year. Masks will be required for attending Pacific Northwest Ballet performances, and we will follow public health and safety mandates. Up-to-date safety procedures will be sent regularly via email and available at any time on PNB.org. By purchasing an in-person ticket or subscription to our  2021/22 Season patrons agree to abide by all safety requirements at McCaw Hall. 

Can subscribers sit in their same seats this season? 

We hope to return subscribers to their seats by February 2022. Because Reps 1 and 2 are the first performances  back in McCaw Hall and have shorter performance runs, seating will be socially distanced and the best available in  subscribers’ seating section (or a comparable section). Seating will follow public health and safety mandates and be  at the discretion of the Box Office. 

How will capacity requirements at McCaw Hall affect the ability to attend a performance? McCaw Hall capacity will follow public health and safety mandates and may affect where patrons sit or the day they attend. Subscribers have priority access to available seating. Single tickets (non-subscription ticket purchases) will be  based on availability, and will go on sale at a later date. 

What will food and beverage service look like? 

Prelude, McCaw Hall’s full service restaurant, will not be open in the fall. Spectra, McCaw Hall’s concessionaire, is  planning for grab-and-go pre-packaged food and beverage options. 

Will vaccinations against COVID-19 be mandatory to attend? 

PNB encourages all audience members to be vaccinated. We will be following public health and safety mandates  regarding mandatory vaccine and/or rapid testing to attend performances at McCaw Hall. 

Will the Digital Season match the content seen by those attending in-person performances at McCaw Hall? We are working closely with our partners with the goal of translating as much of the in-person performance  experience to the digital version as possible. 

How long will digital ticketholders have access to the performance? 

Subscribers will have access to their digital content for five days after the link is made available. The content will  come offline at midnight on the fifth day after it is released. For example, a performance released on a Thursday will  be available until midnight on the evening of the following Monday. 

Why are digital performances limited in time? 

Generally speaking, PNB does not own the creative rights to the content we perform. This applies to both  choreography as well as music performed by the PNB Orchestra. Our digital release windows are arranged with the  permission of the owners of this content, and PNB is committed to honor these terms. 

Will subscribers get their same seat(s) for Reps 1 and 2? 

Reps 1 and 2 will be one-week runs with only four performances each. The PNB Box Office will assign subscribers the best seats available in their section or a comparable section, following all public health and safety mandates

Seating will happen at a later date closer to the performance when we know more about crowd size requirements. (We hope to return subscribers to their usual seats by February 2022.) 

Will subscribers have access to a digital viewing if they can’t use their in-person ticket? Full-Season subscribers will automatically receive access to the Digital Season. Mini-season subscribers and single  ticket holders may exchange their performance ticket into digital if they wish. 

# # # 

Pacific Northwest Ballet’s 2021-2022 season is proudly sponsored by ArtsFund and Microsoft. Special thanks also to  4Culture, National Endowment for the Arts, The Shubert Foundation, City of Seattle Office of Arts & Culture, and The  Wallace Foundation. 

SEEDArts Builds Unity Through Visual and Cultural Experiences

SEEDArts Builds Unity Through Visual and Cultural Experiences

Seattle, WA. Seattle artist Jayashree Krishnan has painted 150 portraits of healthcare workers on the front lines of the pandemic entitled Caring for Humanity. The works are on display at the Columbia City Gallery at 4864 Rainier Ave. S. Betsy Fetherston, Columbia City Gallery Manager says she’s honored to host Krishnan’s work. Fetherston shared, “This exhibit has touched many people, those who are part of the frontline health workers, and it has revealed to the community just what a sacrifice their work has been in order to care for people.” 

Jayashree Krishnan’s portraits along with anecdotes will be shown until Sunday, March 21, 2021.

Columbia City Gallery is a program of  SEEDArts / SouthEast Effective Development.

Established in 1975, SEED (SouthEast Effective Development) is a nonprofit created by community members which continues to revive Southeast Seattle. The organization works on affordable housing initiatives, economic development, and expanding its capacity with the intersection of arts and culture. The focus of SEEDArts is to build unity through visual and cultural experiences. The organization manages the following programs: Columbia City Gallery, Rainier Arts Center, KVRU 105.7 FM, SEEDArts Studios, and Public Art.

SEEDArts Gallery street view prior to COVID-19 pandemic.

Columbia City Gallery has remained open during the pandemic, with a fully scheduled calendar. The community has been welcomed in to view artwork or by window gazing. 

The annual Silent Auction for the organization is a neighborhood favorite; despite the uncertainty surrounding the pandemic the event was successful in selling members’ artwork, and 5% of the proceeds were donated to the Rainier Valley Food Bank. The paintings were exhibited in two sessions: Part 1: January 9 – 24 / Part 2: January 29 – February 14

SEEDArts – Columbia City Gallery Silent Auction 2021

Another program supported by the nonprofit is a story-sharing platform. KVRU 105.7 FM broadcasts voices from the community, streams worldwide, and is a member of the National Federation of Community Broadcasters. Free audio production workshops are offered on a regular basis, and an equipment lending library allows for the production of radio and podcast content. To make a tax-deductible donation to support community radio visit: KVRU.org

Krystal Fincher interviews a guest during a broadcast.

SEEDArts builds community by presenting diverse arts experiences, nurturing local artists, and infusing creativity into our neighborhoods. We offer visual, performing, media, and public art programs in Southeast Seattle that support and sustain artists, inspire and connect residents, and revitalize community. Our programs focus on curating, facilitating and promoting arts and cultural experiences. To learn more about upcoming programs visit: seedseattle.org

Washington State Arts Commission Offers Pandemic Relief Grant Programs

Washington State Arts Commission Offers Pandemic Relief Grant Programs

Seattle, WA. The Washington State Arts Commission (ArtsWA) began in 1961, and was formed by the Washington State Legislature. Throughout its tenure, ArtsWA continues to promote the value of art, especially during the pandemic, by supporting the following programs: Public Art, Grants, Creative Districts, and Arts in Education. Students from Blue Heron School worked with teaching artist Margie McDonald in a “Tales, Texts, and Theatre Workshop”. (Photo above by: David Conklin.)

ArtsWA Community Investment programs focus to nurture and grow the arts, develop community partnerships, and close the opportunity gap for early learners. The Pandemic Relief Grant objective aims to support Small and Mid-sized Organizations experiencing financial hardship. Applications for these grants will be accepted until the beginning of April, 2021.

Arts in Education Partnership Grant is a one-year commitment between a non-profit organization, a K-12 school, school district, or tribal agency. The Creative Start Grant is designed for early learners, preschool to 3rd grade, to help integrate the arts within classrooms throughout Washington state.

Land of Dreams curated by Jasmine Mahmoud, ArtsWA Board Member, performance historian, and Seattle University Assistant Professor in the Department of Performing Arts & Arts Leadership. (January 2021)

For information about grant opportunities visit arts.wa.gov and follow on Facebook at www.facebook.com/WashingtonArts.

ArtsWA Mission: The Arts Commission is a catalyst for the arts, advancing the role of the arts in the lives of individuals and communities throughout the state. ArtsWA values diversity, equity, and inclusion. We believe in diverse forms of artistic expression. The arts amplify voices across all populations. Access to arts and arts education should be available for everyone. The arts can and should address inequities, model inclusion, and teach empathy. To learn more about the programs ArtsWA supports visit: arts.wa.gov

 

The Seattle Aquarium Reopens, Putting Safety First

The Seattle Aquarium Reopens, Putting Safety First

Seattle, WA. The Seattle Aquarium has reopened for business! Under the restrictions COVID-19 has imposed, the Seattle Aquarium is doing everything they can to keep individuals safe and distanced during their visits. (Image courtesy of Bella Gold).

Here are some of their guidelines for visitors during this unprecedented time:

  • ONLINE TICKETS MUST BE RESERVED IN ADVANCE for all guests, whether you’re a first-time visitor or a long-time member.
  • YOUR TIMED TICKET indicates your arrival window. There is no limit to how long you can spend at the Aquarium.
  • MASKS/FACE COVERINGS ARE REQUIRED during your visit. Exemptions to this order include babies/toddlers under age 5 (masks/face coverings are highly recommended for children ages 3–4). A clear mask/face covering will be provided at no charge to anyone who would like one. If you are unable to wear a mask/face covering the Aquarium will work to arrange a visit at a later date when mask requirements have been lifted. If you don’t have a mask/face covering when you arrive, one will be provided for you.
  • ONE-WAY PATHWAY with clear physical distance markers will guide you through the Aquarium and help protect everyone’s health—but you’ll still find plenty to see, experience and enjoy!

The number of guests allowed to visit each day and during each timed-ticketing window will be limited. Members will continue to receive free admission, but tickets must still be reserved in advance in order to limit capacity.

The Seattle Aquarium would like to remind visitors that masks and face coverings are required to keep everyone safe. Exemptions to this order include babies/toddlers under age 5 (face coverings/masks are highly recommended for children ages 3–4). Free clear masks will be provided to anyone who would like one. If you are unable to wear a mask the Aquarium will work to arrange a visit at a later date when mask requirements have been lifted. If you don’t have a mask when you arrive, one will be provided for you.

From the Seattle Aquarium:

Founded in 1977 and located on Pier 59 in the heart of Seattle, Washington, the Aquarium serves as the largest platform for ocean conservation and engagement in the Pacific Northwest. With a mission of Inspiring Conservation of Our Marine Environment. The Seattle Aquarium offers a unique window into ocean conservation by offering compelling exhibits and event experiences; community programming along local rivers and beaches; research that advances understanding of marine species; advocacy and policy work on issues like climate change and ocean acidification; an award-winning volunteer program; and more. The region’s premier resource for hands-on marine experiences and conservation education, the Seattle Aquarium offers fun, exciting ways to discover more about the amazing Puget Sound and our world’s one big ocean. 

On the web: SeattleAquarium.org
On Facebook: facebook.com/Aquarium.Seattle
On Twitter: twitter.com/SeattleAquarium

Artist Trust Announces New Phase of Covid-19 Relief Funding

Artist Trust Announces New Phase of Covid-19 Relief Funding

Seattle, WA. Artist Trust has $100,000 in funding available for Washington State artists, due to donors’ endorsements at year’s end. (The nonprofit recently held a zoom community conversation on racial equity seen above.) These funds will create a second wave of emergency support, forecast to fund a minimum of 100 artists at $1,000 each. Cezanne Garcia, Artist Trust Board of Trustees President expressed her gratitude, “Thanks to our donors’ continued generous support, Artist Trust ended 2020 over $100,000 ahead of our fundraising goal for the year.” Release dates for the Relief Fund application cycle can be found posted on the refreshed grant schedule.

Artist Trust continues to listen to the community and pivot through the pandemic to meet artists’ needs. Survey results reported that more than 50 percent of performing artists had been out of work during the third quarter of 2020, in response the Artist Trust team created a list of resources, one being a food bank map, designed as a guide to locate alternative food sources within Washington State.

Meeting the immediate needs of artists remains at the forefront as Kristina Goetz, Acting Director shared, “the pandemic marked a directional shift” and as a service-oriented organization, the focus has been “connecting artists with the resources to best equip as possible to weather the crisis,” which includes: providing funding information, healthcare, housing, support navigating legal issues with webinars, and business development workshops.

Artist Trust – Resources and Opportunities
Artwork by Fulgencio Lazo, 2018

As one of the longest-running award programs, having originated in 1987, Artist Trust was honored to release the nine recipients of the 2020 Fellowship Awards on February 8, 2021, which included: visual artists Dan Friday, Tatiana Garmendia, Mary Ann Peters, and Anthony White; performing artist Benjamin Hunter; multidisciplinary artists Jaleesa Johnston and Chris Vargas; and literary artists Rena Priest and Sharma Shields captured below. These merit-based awards provide an unrestricted cash amount of $10,000 to each recipient.

Artist Trust 2020 Fellowship Recipients

Alchemical Bride 24 (Sojourner Truth)
oils on canvas
48” x 41”
Abolitionist and women’s rights activist, born into slavery but escaped with her infant daughter to freedom in 1826. Went to court to recover her son in 1828, and became the first black woman to win such a case against a white man. Tatiana Garmendia felt humbled by the fellowship, “knowing that my work was chosen by other art professionals who get what I am putting out into the world.”

Multidisciplinary artist Jaleesa Johnston shared, “With this award, I can materialize ideas that have been sitting in my sketchbook over the last couple of years.”

Artist Trust is a 501(c)3 nonprofit grounded in values of being “open, welcoming, transparent, responsive, and forward-thinking – Artist Trust’s mission is to support and encourage artists working in all disciplines to enrich community life throughout Washington State.” Founded in 1986, Artist Trust has invested in individual artists contributing over $11 million through professional development programs and grants. To learn more about getting involved visit: artisttrust.org.

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