Seattle, WA. Things are getting closer to normal at The Henry Art Gallery. Visitors no longer have to register in advance, they can walk-up and buy tickets. Mask and social distancing requirements remain in place regardless of vaccination status. Here’s a link to visitor guidelines.
The Henry Art Gallery is part of the University of Washington and is currently showcasing Will Rawls: Everlasting Stranger which is featured in the image above. The exhibit, in collaboration with Velocity Dance Center, runs through August 15th.
In Everlasting Stranger, New York-based choreographer and writer Will Rawls (b. 1978, Boston, MA) activates relationships between language, dance, and image through the fragmentary medium of stop-motion animation. In his installation, time and movement slow as a live, automated camera photographs the frame-by-frame actions of four dancers. While the performers occupy the labor of becoming images, visual capture is staged as an obsessive process that is constant yet compromised by the movement it aims to fix.
Here, as in previous works, Rawls develops strategies of evasion and engagement within systems that mediate, distort, and abstract the body.
Rawls’s exhibition takes inspiration from the work of Guyanese writer Wilson Harris and his surrealist novel The Infinite Rehearsal (1987). In the book, the constrictive projections of the colonial gaze manifest as a child’s fever dream where ghosts reinterpret time, genealogy, and identity as unstable matter. Harris’s novel serves as a conduit through which Rawls addresses the misrepresentation that haunts all forms of capture, including photography and choreography. Within the temporal delirium that marks existence in quarantine, Rawls animates the life that appears between frames.
PERFORMANCE SCHEDULE:
Saturdays: July 17 – August 14, 12 – 3 PM
Will Rawls: Everlasting Stranger is a collaboration between Henry Art Gallery and Velocity Dance Center and is organized by Nina Bozicnik, Henry Curator, and Erin Johnson, Velocity Interim Artistic and Managing Director. It is presented in conjunction with the Seattle Festival of Dance + Improvisation, with project support from the National Endowment for the Arts. Additional support provided by UW Department of Dance, and by John Robinson and Maya Sonenberg. Costumes complements of womxn’s rites.
The exhibition is presented in conjunction with Murmurations, a Seattle-wide arts collaboration featuring a series of exhibitions, performances, screenings, community conversations, artist talks, and other programs co-developed between cultural organizations.
Other exhibitions are continually available this summer. For an online opportunity, Henry Art Gallery is hosting Sonolocations: A Sounds Works Series from June – August 2021.
Partnered with the Jack Straw Cultural Center, The Henry has commissioned a three-part series of audio artworks, to be released free and online throughout the summer of 2021. The participating artists were invited to consider the theme of place, and its unique resonance throughout the pandemic, to offer directed sonic experiences for listeners wherever they might find themselves. Participating artists are Byron Au Yong (b. 1971, Pittsburgh, PA), Chenoa Egawa (b. 1964, Ellensburg, WA), and Bill Lowe (b. 1946, Pittsburgh, PA) and Naima Lowe (b. 1979, Middletown, CT).
To get a preview of Sonolocations, listen to Byron Au Yong’s “Pomelo” here:
Audio artworks will be available on SoundCloud, and on the Jack Straw website. You can also subscribe to Sonolocations as a podcast to receive each piece when it launches.
The Henry is also hosting Gary Simmons: The Engine Room through August 22, 2021. The work of Gary Simmons (b. 1964, New York, NY) explores racial, social, and cultural politics, interrogating the ways in which we attempt to reconstruct the past via personal and collective memory. For this commissioned exhibition at the Henry, the artist created a large-scale wall drawing, a suite of new paintings and sculptures, and a sculptural installation, drawing together disparate components to create space for new interaction and invention.
This piece has been utilized in Jambalaya Jam at the Henry, a night of music celebrating Seattle’s recent musical past.
The installation will function as an interactive space, riffing off traditional American suburban garage architecture and referencing the garage as a site for invention, creativity, and experimentation, particularly for music/bands. As both a private laboratory and a public stage, the garage sculpture will be activated by a series of musician residencies, drawing on unique areas of the Seattle music scene, both historical and present, and tapping into the lesser-known, yet equally influential, genres and practices.
Simmons researched and archived band and concert posters from around the world to create this piece.
From Henry Art Gallery:
The Henry is internationally recognized for bold and challenging exhibitions, for pushing the boundaries of contemporary art and culture, and for being the first to premiere new works by established and emerging artists. Through individual experiences with art, we inspire visitors to upend their expectations and discover surprising connections.
Seattle, WA. Nine leading Seattle arts organizations have received welcome news at a critical time. On October 20th, 2020 the Friday Foundation announced philanthropic gifts totaling more than $9 million to honor the lives and legacies of late art enthusiasts Jane Lang Davis and Richard E. Lang (pictured above).
“These gifts are a shining example of what community support for art and art institutions looks like, and it reflects and furthers the incredible legacy of the Langs,” said Amada Cruz, director and CEO of the Seattle Art Museum. “The gift to our Closure Relief Fund was the single largest gift to that fund, and it arrived at a crucial moment in April as we faced the crisis directly, enabling us to support all museum operations.”
Aaron Fowler’s “Into Existence” exhibit, Seattle Art Museum.
The Langs believed in the power of the arts to embrace new ideas, foster quiet reflection, and promote community. The gifts are intended to inspire others to discover and engage with Seattle’s many cultural communities and opportunities in the visual and performing arts and find lifelong engagements as the Langs did themselves. Whether it is attending a concert or performance, volunteering with an organization, or discovering art, the hope is to remind the Seattle community that there are so many places and organizations for people of all ages to find inspiration.
With lights dimmed in most theaters and museums this year due to COVID-19, these gifts enable five major Seattle arts organizations – Seattle Art Museum, Seattle Symphony, Pacific Northwest Ballet, Seattle Opera, and the Henry Art Gallery at the University of Washington – to acquire or present new works for audiences to enjoy from home or in person when it is safe to do so.
“My mother and stepfather were dedicated to the arts, to Seattle, to the stability of these critical civic gems, and to the inherent promotion of human connection,” said Lyn Grinstein, daughter of Jane Lang Davis and president of the Friday Foundation. “Through the Friday Foundation, these gifts will help fulfill these wishes, by funding new activities and initiatives, as well as provide stability through financial assistance to operations hard hit by the pandemic shutdown.”
The Langs, who lived in Medina, are best known for their internationally recognized art collection with a focus on Abstract Expressionism. Richard joined the Seattle Art Museum board in 1972 and served until his death in 1982. Jane, who died in 2017, joined the SAM board in 1985 and in 2000 became a lifetime trustee, and served for a time as the chair of the Honorary Trustees. Always true to her devotion to abstraction, emerging artists, and the newest work, Jane was an early and active member of the Contemporary Art Council (CAC), advocating for and supporting Seattle Art Museum’s early initiatives in its contemporary collections and exhibitions. She served on CAC and all its subsequent forms for four decades and was an active participant in all major fundraising campaigns.
To continue the Lang’s legacy, the Friday Foundation is funding The Richard E. Lang and Jane Lang Davis Acquisition Fund for Global Contemporary Art at the Seattle Art Museum with a $2 million gift. Amid the COVID-19 global pandemic, the Friday Foundation also gifted the Seattle Art Museum an additional $2 million in emergency funds to help offset economic losses when the museum closed to visitors in March. Amanda Cruz, SAM’s director and CEO stated that “This endowment will help shape the future of SAM’s collection, as we continue our focus on emerging artists from all over the world. We are extremely grateful for the generosity of the Friday Foundation.”
The Seattle Opera
Christina Scheppelmann, general director of the Seattle Opera, said, “This extraordinary gift from the Friday Foundation allows us to create the Jane Lang Davis Creation Lab, which cultivates the next generation of storytellers in opera. This new multi-year initiative will contribute to the operatic repertoire at large — and bring new stories to our community — by supporting the talents of a diverse group of composers and librettists (ages 18-30). Opera needs new and varied perspectives to thrive into the future—and to complement great works of the past. The impacts of this gift will reverberate in Washington State, and far beyond. We are humbled by this investment in the future of opera.”
“The Langs transformed the arts landscape throughout our region with their stewardship, advocacy, and extraordinary support,” said Sylvia Wolf, John S. Behnke Director of the Henry Art Gallery. “With these gifts, their impact will live on, in perpetuity. The Henry has a long tradition of inviting artists to consider the museum as a laboratory for new ideas. This extraordinary gift will allow us to expand this practice and to deepen our service to artists, audiences, and the field at large. It will also connect our UW community and students of all ages with living artists and their creative processes. We are deeply grateful to the Friday Foundation for establishing the Henry’s first endowed fund specifically geared towards supporting newly commissioned work.”
In addition to the $2 million SAM acquisition fund, the new endowments include $1.5 million to support the development of the Richard E. Lang and Jane Lang Davis Living Music Program at the Seattle Symphony, $1 million for the creation of the Jane Lang Davis New Works Fund at Pacific Northwest Ballet, $1 million to support the launch of the Jane Lang Davis Creation Lab at the Seattle Opera, and $1 million to support the creation of the Richard E. Lang and Jane Lang Davis New Works Fund at the Henry Art Gallery.
The Seattle Symphony
“The Seattle Symphony is honored to receive this grant from the Friday Foundation recognizing the legacy of Richard and Jane,” said Seattle Symphony president and CEO Krishna Thiagarajan. “The Symphony is known for its imaginative programming, from our [untitled] series to our just-launched The Essential Series. The Richard E. Lang and Jane Lang Davis Living Music Program allows us to expand this transformative work by creating a pathway for sustained success within our bold programming choices, while also giving us the possibility of re-envisioning the concert experience for audiences within and beyond Benaroya Hall.”
Peter Boal, artistic director of Pacific Northwest Ballet, said, “Through the gift of the Friday Foundation, Jane and Richard Lang’s legacy continues by helping the creation of new choreography. Because of this generosity, Pacific Northwest Ballet will be able to fund an original new work every season. When I choose the commission every season, I will recall Jane’s willingness to embrace risk and innovation in order to bring inspired art and dance into our lives.”
In addition to the new works, other Friday Foundation gifts announced today include $270,000 to ArtsFund’s COVID-19 Arts Emergency Relief Fund, and $100,000 each to ACT – A Contemporary Theatre, Seattle Rep, and the Seattle Chamber Music Society.
“The Langs understood the transformational power of the arts – a power we need today more than ever,” said Michael Greer, president and CEO of ArtsFund. “Their vision and legacy, honored by these gifts from the Friday Foundation, will have an immediate impact on arts and culture in our region and will resonate for years to come. These gifts serve as a significant reminder of the impact of philanthropy, and how we can and must all work together to secure the future of cultural organizations that help our community thrive. These generous gifts are inspiring and set a profound example for us all.”
Pablo Schugurensky, adviser to the Friday Foundation, said, “As well as sustaining and strengthening these nine institutions, we hope these gifts spur others to join the arts community, inspired by the examples of Jane Lang Davis and Richard E. Lang and their deep commitment to the arts and their love for Seattle. Whether it is creating art, enjoying a performance, attending exhibitions, or supporting artists and art organizations in their city, we all have an important role to play.” This gift honoring the Langs’ legacy is the first of several. Additional announcements will be made in 2021.
Seattle, WA. Museum director Sylvia Wolf says the Henry Art Gallery still has a lot to offer during the COVID-19 pandemic. The museum on the University of Washington campus has shifted many of its offerings to a virtual format through #HenryAtHome. Sylvia Wolf, says #HenryAtHome is a “suite of digital offerings to stay connected to contemporary art and ideas.”
Sadie Barnettes 2019 “Room To Live” is a mixed media installation with holographic vinyl sofa, metal flake TV, archival inkjet prints, and metal flake security cameras. Photo credit, Mark Woods.
Through Instagram, Facebook, and Twitter, the Henry is giving the public “insights into artwork, interviews with artists, stories about objects in [the Henry’s] collection, and ways to make art at home.” The Henry’s website features a variety of online presentations, including works from its collection and in-depth information on its exhibitions. The Henry Art Gallery has moved ArtVentures, a free art-making workshop for intergenerational groups, online. The Henry’s In Plain Sight film series, created in collaboration with Northwest Film Forum, has found a new home online as well. Watch the video below to hear more about artist Oscar Tuazon’s contributions to the Henry’s In Plain Sight exhibition.
The Henry Art Gallery closed its doors on March 10th when COVID-19 cases began increasing in Seattle. Since the organization’s closure, the Henry’s staff has been working remotely, except for essential personnel working onsite to ensure the safety of the Henry’s building and the art within it. Wolf says that moving to remote work was “a fast pivot,” but “one that staff responded to with grace, flexibility, and inventiveness.”
Wolf, whose title includes a nod to donor John S. Behnke, says that the online programming featured in #HenryAtHome has “generated an extraordinary amount of interest from people around the world.” Specifically, the Henry’s Re/frame program has transitioned to an online format and drawn in global attention. Re/frame is a recurring program in which items from the Henry’s collection are brought under one theme and presented to the public to view. According to Wolf, the widespread interaction that Re/frame sparked has “encouraged broader conversations and deepened engagement with the works and how they relate to today’s times.” In response to this feedback, Wolf says that the Henry’s staff hopes “to offer this and other programs onsite and digitally as [they] go forward.”
Beatriz Cortez’ work for the exhibition, In Plain Sight. Photo by Mark Woods.
In response to the Black Lives Matter movement transpiring throughout America, Wolf says that the Henry Art Gallery “stand[s] in solidarity with Black and brown artists, colleagues, and community members.” Moving forward, Wolf says the Henry will “deepen [its] commitment to confronting overt and systemic racism.” The Henry will also “actively support the shifting of power from those who have benefited from structures of racism to those that have been oppressed by the cultural climate and practices within the art world, and by institutional racism in general.”
william cordova’s work for the exhibition In Plain Sight. Photo by Johnathan Vanderweit.
Within the Henry Art Gallery, Wolf says that staff is “taking time to listen and reflect on what [they] can do to become a more anti-racist organization.” This means looking closely at how systemic racism plays out within their organization, taking steps to create structural and systemic change, and diversifying staff, management, and board governance to represent the greater-Seattle region. The Henry Art Gallery will also continue “diversify[ing] programming to amplify the voices and views of many, and to celebrate art in a broad variety of forms.” To learn more about the Henry Art Gallery’s commitment to racial equity, people may read its full Pledge to Racial Justice here.
Hayv Kahraman’s work for the exhibition, In Plain Sight. Photo by Mark Woods.
Wolf recognizes that “art has the power to incite, challenge, heal, and to imagine new possibilities.” Thus, Wolf shares that the Henry is “encouraged by the response to [its] programming” and that the organization “look[s] forward to continuing a multitude of offerings.”
From the Henry Art Gallery:
To support the Henry Art Gallery, people are welcome to follow the organization on Instagram, Facebook, and Twitter, subscribe to its YouTube channel and sign up for its e-newsletter to hear updates on the Henry’s latest content and programming. People may also support Henry’s efforts to build future programs and partnerships by becoming a member, which helps the Henry make free art content for the public.
The Henry is internationally recognized for bold and challenging exhibitions, for pushing the boundaries of contemporary art and culture, and for being the first to premiere new works by established and emerging artists. Through individual experiences with art, we inspire visitors to upend their expectations and discover surprising connections.
NONPROFIT BENEFIT TICKET GIVEAWAYS!
Sign up for our free weekly highlights for the chance to win two tickets terrific nonprofit events! If you “like” us on facebook, or sign up for our weekly news highlights, you’ll be entered to win! Sign up today!
Look for another ticket giveaway soon! Are you a nonprofit looking to bolster your publicity with facebook and tweets? Email us and we’ll run a contest with tickets to your event! [email protected]
