Henry Art Gallery Launches #HenryAtHome to Share Art Offerings Online
Seattle, WA. Museum director Sylvia Wolf says the Henry Art Gallery still has a lot to offer during the COVID-19 pandemic. The museum on the University of Washington campus has shifted many of its offerings to a virtual format through #HenryAtHome. Sylvia Wolf, says #HenryAtHome is a “suite of digital offerings to stay connected to contemporary art and ideas.”
Sadie Barnettes 2019 “Room To Live” is a mixed media installation with holographic vinyl sofa, metal flake TV, archival inkjet prints, and metal flake security cameras. Photo credit, Mark Woods.
Through Instagram, Facebook, and Twitter, the Henry is giving the public “insights into artwork, interviews with artists, stories about objects in [the Henry’s] collection, and ways to make art at home.” The Henry’s website features a variety of online presentations, including works from its collection and in-depth information on its exhibitions. The Henry Art Gallery has moved ArtVentures, a free art-making workshop for intergenerational groups, online. The Henry’s In Plain Sight film series, created in collaboration with Northwest Film Forum, has found a new home online as well. Watch the video below to hear more about artist Oscar Tuazon’s contributions to the Henry’s In Plain Sight exhibition.
The Henry Art Gallery closed its doors on March 10th when COVID-19 cases began increasing in Seattle. Since the organization’s closure, the Henry’s staff has been working remotely, except for essential personnel working onsite to ensure the safety of the Henry’s building and the art within it. Wolf says that moving to remote work was “a fast pivot,” but “one that staff responded to with grace, flexibility, and inventiveness.”
Wolf, whose title includes a nod to donor John S. Behnke, says that the online programming featured in #HenryAtHome has “generated an extraordinary amount of interest from people around the world.” Specifically, the Henry’s Re/frame program has transitioned to an online format and drawn in global attention. Re/frame is a recurring program in which items from the Henry’s collection are brought under one theme and presented to the public to view. According to Wolf, the widespread interaction that Re/frame sparked has “encouraged broader conversations and deepened engagement with the works and how they relate to today’s times.” In response to this feedback, Wolf says that the Henry’s staff hopes “to offer this and other programs onsite and digitally as [they] go forward.”
Beatriz Cortez’ work for the exhibition, In Plain Sight. Photo by Mark Woods.
In response to the Black Lives Matter movement transpiring throughout America, Wolf says that the Henry Art Gallery “stand[s] in solidarity with Black and brown artists, colleagues, and community members.” Moving forward, Wolf says the Henry will “deepen [its] commitment to confronting overt and systemic racism.” The Henry will also “actively support the shifting of power from those who have benefited from structures of racism to those that have been oppressed by the cultural climate and practices within the art world, and by institutional racism in general.”
william cordova’s work for the exhibition In Plain Sight. Photo by Johnathan Vanderweit.
Within the Henry Art Gallery, Wolf says that staff is “taking time to listen and reflect on what [they] can do to become a more anti-racist organization.” This means looking closely at how systemic racism plays out within their organization, taking steps to create structural and systemic change, and diversifying staff, management, and board governance to represent the greater-Seattle region. The Henry Art Gallery will also continue “diversify[ing] programming to amplify the voices and views of many, and to celebrate art in a broad variety of forms.” To learn more about the Henry Art Gallery’s commitment to racial equity, people may read its full Pledge to Racial Justice here.
Hayv Kahraman’s work for the exhibition, In Plain Sight. Photo by Mark Woods.
Wolf recognizes that “art has the power to incite, challenge, heal, and to imagine new possibilities.” Thus, Wolf shares that the Henry is “encouraged by the response to [its] programming” and that the organization “look[s] forward to continuing a multitude of offerings.”
From the Henry Art Gallery:
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The Henry is internationally recognized for bold and challenging exhibitions, for pushing the boundaries of contemporary art and culture, and for being the first to premiere new works by established and emerging artists. Through individual experiences with art, we inspire visitors to upend their expectations and discover surprising connections.
